LEADER 03222oam 2200625I 450 001 9910461290103321 005 20170815154419.0 010 $a1-136-03873-6 010 $a1-136-03874-4 010 $a1-280-58210-3 010 $a9786613611888 010 $a0-240-81808-3 024 7 $a10.4324/9780240818085 035 $a(CKB)2670000000147368 035 $a(EBL)867672 035 $a(OCoLC)779141596 035 $a(SSID)ssj0000612819 035 $a(PQKBManifestationID)11374967 035 $a(PQKBTitleCode)TC0000612819 035 $a(PQKBWorkID)10571039 035 $a(PQKB)10178403 035 $a(OCoLC)785782446 035 $a(MiAaPQ)EBC867672 035 $a(CaSebORM)9780240818078 035 $a(EXLCZ)992670000000147368 100 $a20180706e20142012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aScreenwriter's compass $echaracter as true North /$fGuy Gallo 205 $a1st edition 210 1$aBurlington, Mass. :$cFocal Press,$d2014. 215 $a1 online resource (215 p.) 300 $aFirst published 2012. 311 $a1-138-13645-X 311 $a0-240-81807-5 320 $aIncludes bibliographical references and index. 327 $aCover; Screenwriter's Compass: Character As True North; Copyright; CONTENTS; PREFACE; ACKNOWLEDMENTS; 1 FIRST THINGS; SCREENWRITER'S COMPASS; BIG DEAL-YOU'RE WRITING A SCREENPLAY; GEAR UP; SCREENWRITING IS WRITING; CRAFTSMANSHIP; 2 GROUNDWORK; READING THEORY; UPESETTING ARISTOTLE; PUTTING ARISTOTLE TO WORK; CHARACTER-DRIVEN VERSUS PLOT-DRIVEN; FABLE AND CONSTRUCT; TURNING THEORY TO TASK; 3 GETTING READY; MASTER SHOT SCREENPLAY; READING SCREENPLAYS; COMPOSITION CREATES STORY; ON OUTLINES; ON CHARACTER HISTORIES; ON TREATMENTS; ON ADAPTATION; 4 FIRST DRAFT; THE BLANK PAGE 327 $aSCENE AND ACTION DESCRIPTIONBEING GOD; HEARING VOICES; EMPATHY; THINKING OF STRUCTURE; BREAKING A BLOCK; 5 REVISION; FIRST READER; LOOKING AGAIN FOR LOGIC; QUESTIONS; CHALLENGES AND PITFALLS; ON EXPECTATION; 6 FINISHING; WRIGHTING A SREENPLAY; SCREENPLAY FORMAT; PROOFRADING; SUBMISSION; 7 GETTING READY AGAIN; PASSION AND PURPOSE; HAPPY ACCIDENT; INTUION AND ANALYSIS; LESSONS; INDEX 330 $aEver watch a movie, and despite great production value, fantastic action sequences, a great cast, etc, you come away thinking-I just didn't buy it. Chances are it was because you didn't care about the characters. Screenwriter's Compass presents a new way of approaching screenwriting, examining how effective screen storytelling must be grounded in the vivid imagining and presentation of character.Screenwriter's Compass will not offer formulas to follow but instead will give you the tools needed to chart your own path to screenwriting success. It details useful ways o 606 $aMotion picture authorship 608 $aElectronic books. 615 0$aMotion picture authorship. 676 $a808.2/3 676 $a808.23 700 $aGallo$b Guy.$0918026 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461290103321 996 $aScreenwriter's compass$92058392 997 $aUNINA