LEADER 02277nam  2200529 a 450 
001 9910461282903321
005 20200520144314.0
010   $a1-283-20552-1
010   $a9786613205520
010   $a1-4411-3498-0
035   $a(CKB)2670000000106789
035   $a(EBL)742798
035   $a(OCoLC)741691520
035   $a(MiAaPQ)EBC742798
035   $a(Au-PeEL)EBL742798
035   $a(CaPaEBR)ebr10488156
035   $a(CaONFJC)MIL320552
035   $a(OCoLC)893335742
035   $a(EXLCZ)992670000000106789
100   $a19991221d2000      uy             0
101 0 $aeng
135   $aur|n|---|||||
200 10$aWomen in British cinema$b[electronic resource] $emad, bad and dangerous to know /$fSue Harper
210   $aLondon ;$aNew York $cContinuum$d2000
215   $a1 online resource (278 p.)
225 1 $aRethinking British cinema
300   $aDescription based upon print version of record.
311   $a0-8264-4732-5 
311   $a0-8264-4733-3 
320   $aIncludes bibliographical references (p. 237-242) and indexes.
327   $apt. 1. Mainstream representations -- pt. 2. Women's work.
330   $aThis book takes a broad perspective and analyses the ways in which the British film industry has dealt with women and their creativity from 1930 to the present. The first part of the book deals comprehensively with different historical periods in British film culture, showing how the 'agency' of production company, director, distribution company or scriptwriter can bring about new patterns of female stereotyping. The second part looks at the input of women workers into the film process. It assesses the work of women in a variety of roles: directors such as Wendy Toye and Sally Potter, producer
410  0$aRethinking British cinema.
606   $aWomen in the motion picture industry$zGreat Britain
606   $aWomen in motion pictures
608   $aElectronic books.
615  0$aWomen in the motion picture industry
615  0$aWomen in motion pictures.
676   $a384/.8/0820941
700   $aHarper$b Sue$0893507
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910461282903321
996   $aWomen in British cinema$91996011
997   $aUNINA