LEADER 03907nam 2200649 450 001 9910461273503321 005 20211005005559.0 010 $a1-4081-4390-9 010 $a1-4081-4391-7 035 $a(CKB)2670000000137383 035 $a(EBL)692114 035 $a(OCoLC)768731557 035 $a(SSID)ssj0000640976 035 $a(PQKBManifestationID)11432561 035 $a(PQKBTitleCode)TC0000640976 035 $a(PQKBWorkID)10621961 035 $a(PQKB)11209036 035 $a(MiAaPQ)EBC692114 035 $a(Au-PeEL)EBL692114 035 $a(CaPaEBR)ebr10865775 035 $a(CaONFJC)MIL604101 035 $a(OCoLC)893335347 035 $a(MiAaPQ)EBC6163088 035 $a(EXLCZ)992670000000137383 100 $a20140509h20092009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSecrets from the casting couch $eon camera strategies for actors from a casting director /$fNancy Bishop ; illustrations by Bonnie Glover 210 1$aLondon, England ;$aNew York, New York :$cBloomsbury Methuen Drama,$d2009. 210 4$dİ2009 215 $a1 online resource (223 p.) 300 $aDescription based upon print version of record. 311 $a1-4725-2628-7 311 $a1-4081-1327-9 320 $aIncludes bibliographical references and index. 327 $aCover; Table of contents; Acknowledgements; Preface; Introduction; Part 1 Success strategies for casting; 1 Enjoy casting; 2 Prepare; 3 Make choices; 4 Act and react in the moment; 5 Play in the eyes; 6 Possess an inner monologue; 7 Commit to the scene - not the lines in the scene; 8 Stake a claim, take a risk; 9 Tell the story; 10 Listen; 11 Wag your tail; Part 2 The nuts and bolts of casting; 12 FAQs about auditioning and casting; 13 FAQs about casting directors, agents and managers; Part 3 Marketing: the tools of the trade; 14 Archetypes for actor branding; 15 Headshots; 16 CV or resume 327 $a17 Showreel or demo reel18 How to prepare a self audition; 19 Internet casting and marketing; Part 4 Perspectives from the other side of the looking glass; 20 The casting director is on your side; 21 Showbiz ain't fair; 22 Perspectives from casting directors around the world; Part 5 Practical exercises; Your camera and you; Exercise 1. Warm up; Exercise 2. Blank scenes; Exercise 3. Listening and the inner monologue; Exercise 4. 'Over there!' - Playing with the eyes; Exercise 5. Playing the objective; Exercise 6. Strategies; Exercise 7. 'Get out of the chair'; Exercise 8. Cold reading 327 $aExercise 9. Telling a storyPart 6 Scene analysis; 1. The Bourne Identity; 2. Anne Frank; 3. Alien Vs. Predator; 4. Euro Trip; Conclusion; Bibliography; Index; A; B; C; D; E; F; G; H; I; L; M; N; O; P; R; S; T; U; V; W; Y 330 $aAny actor who is serious about his or her career should read this book Matthew Stillman, Producer: Casino Royale, Wanted, The Chronicles of Narnia: Prince Caspian.""As a director, casting a movie can be a terrifyingprocess. Put the wrong actor in your project and you're sunk. How doyou find the right person? ... if you're working with Nancy Bishop youknow you're in good, accomplished hands, whether you're a director oran actor. "" Neil Burger, Director of The Illusionist Why is it that so many good actors don't perform well at castings? Secrets from the Casting Couch gives practical advice for a 606 $aMotion pictures$xCasting 606 $aActing$xAuditions 608 $aElectronic books. 615 0$aMotion pictures$xCasting. 615 0$aActing$xAuditions. 676 $a791.43028 700 $aBishop$b Nancy$01054305 702 $aGlover$b Bonnie 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461273503321 996 $aSecrets from the casting couch$92486786 997 $aUNINA