LEADER 03788oam 2200721I 450 001 9910461209903321 005 20210623100821.0 010 $a0-429-89674-3 010 $a0-429-47197-1 010 $a1-283-12546-3 010 $a9786613125460 010 $a1-84940-283-3 024 7 $a10.4324/9780429471971 035 $a(CKB)2670000000094798 035 $a(EBL)712280 035 $a(OCoLC)729167009 035 $a(SSID)ssj0000520984 035 $a(PQKBManifestationID)12222339 035 $a(PQKBTitleCode)TC0000520984 035 $a(PQKBWorkID)10517810 035 $a(PQKB)10802401 035 $a(MiAaPQ)EBC712280 035 $a(Au-PeEL)EBL712280 035 $a(CaPaEBR)ebr10477619 035 $a(CaONFJC)MIL312546 035 $a(OCoLC)730501967 035 $a(EXLCZ)992670000000094798 100 $a20180706h20182000 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aArt, creativity, living /$fby Lesley Caldwell 205 $aFirst edition. 210 1$aBoca Raton, FL :$cRoutledge, an imprint of Taylor and Francis,$d[2018]. 210 4$dİ2000 215 $a1 online resource (177 p.) 225 1 $aWinnicott studies monograph series 300 $aDescription based upon print version of record. 311 $a0-367-32334-6 311 $a1-85575-253-0 320 $aIncludes bibliographical references and index. 327 $aCOVER; CONTENTS; CONTRIBUTORS; Introduction; CHAPTER ONE: Psychoanalysis and art: the Winnicott legacy; CHAPTER TWO: Winnicott's Hamlet; CHAPTER THREE: ""I thought so then"": Othello and the unthought known John Fielding; CHAPTER FOUR: On imaginary presence; CHAPTER FIVE: To make experience sing; CHAPTER SIX: Creativity, playing, dreaming: overlapping circles in the work of Marion Milner and D. W. Winnicott; CHAPTER SEVEN: To unravel unhappiness; CHAPTER EIGHT: Critical notice of On Not Being Able to Paint; CHAPTER NINE: On Robinson Crusoe's island; CHAPTER TEN: Appreciations of Marion Milner 327 $aREFERENCESINDEX 330 3 $aThis volume in the Winnicott Studies series is dedicated to the life and work of Marion Milner and reflects, in varying ways, her unique use of Winnicott's work to shape her own thinking about art and creativity. Among the papers here are contemporary reviews of Milner's books by both Winnicott and the poet W.H. Auden - the latter providing fascinating insights into his own views on psychoanalysis. Malcolm Bowie discusses Winnicott's legacy to psychoanalysis and art; Adam Phillips writes on 'Winnicott's Hamlet' and John Fielding tackles another Shakepearean theme in examining Othello. The book also contains papers by the distinguished British authors Michael Podro and Ken Wright, several appreciations of Marion Milner by those who knew and worked with her, and an illuminating introduction by Lesley Caldwell drawing together the book's themes. The papers in this volume are united by a very Winnicottian concern with aliveness, and with art. They are both a fitting tribute to Marion Milner and a testimony to the range and depth of work taking place under the aegis of The Squiggle Foundation. 410 0$aWinnicott studies monograph series. 606 $aPsychoanalysis and art 606 $aPsychoanalysis 606 $aCreation (Literary, artistic, etc.) 608 $aElectronic books. 615 0$aPsychoanalysis and art. 615 0$aPsychoanalysis. 615 0$aCreation (Literary, artistic, etc.) 676 $a616.8917 676 $a701/.05 712 02$aSquiggle Foundation. 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910461209903321 996 $aArt, creativity, living$91972156 997 $aUNINA