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005 20200520144314.0
010   $a1-4438-8199-6
035   $a(CKB)3710000000473545
035   $a(EBL)4534739
035   $a(MiAaPQ)EBC4534739
035   $a(Au-PeEL)EBL4534739
035   $a(CaPaEBR)ebr11215759
035   $a(CaONFJC)MIL830954
035   $a(OCoLC)921216993
035   $a(EXLCZ)993710000000473545
100   $a20160620h20152015  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 00$aOn the edge of the panel $eessays on comics criticism /$fedited by Julio Can?ero and Esther Claudio
210  1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2015.
210  4$dİ2015
215   $a1 online resource (329 p.)
300   $aDescription based upon print version of record.
311   $a1-4438-7787-5 
320   $aIncludes bibliographical references at the end of each chapters.
330   $aTo create a comic is not to illustrate words, but to create narrative diagrams and transform strokes into imaging words. The infinite array of possibilities that the merging of text and pictures provides is a garden of forking paths that critics have just started to explore. This is an art that operates as the crossroads of various disciplines, but whose specifications require a thorough understanding of its unique mechanisms. The explosion of experimental works and the incorporation of previously marginal (or nonexistent)  genres and themes in comics have enriched an already fruitful art in w
606   $aComic books, strips, etc$xHistory and criticism
606   $aComic books, strips, etc
608   $aElectronic books.
615  0$aComic books, strips, etc.$xHistory and criticism.
615  0$aComic books, strips, etc.
676   $a741.509
702   $aCan?ero$b Julio
702   $aClaudio$b Esther
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910461205403321
996   $aOn the edge of the panel$92453967
997   $aUNINA