LEADER 03790oam 2200685I 450 001 9910461203703321 005 20200520144314.0 010 $a0-429-90347-2 010 $a0-429-47870-4 010 $a1-283-12560-9 010 $a9786613125606 010 $a1-84940-316-3 035 $a(CKB)2670000000094793 035 $a(EBL)712269 035 $a(OCoLC)729166997 035 $a(SSID)ssj0000525109 035 $a(PQKBManifestationID)12183564 035 $a(PQKBTitleCode)TC0000525109 035 $a(PQKBWorkID)10507083 035 $a(PQKB)10205965 035 $a(MiAaPQ)EBC712269 035 $a(Au-PeEL)EBL712269 035 $a(CaPaEBR)ebr10477697 035 $a(CaONFJC)MIL312560 035 $a(OCoLC)730500593 035 $a(EXLCZ)992670000000094793 100 $a20180611h20182001 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPsychoanalysis and film /$fby Glen O. Gabbard 210 1$aBoca Raton, FL :$cRoutledge, an imprint of Taylor and Francis,$d[2018]. 210 4$dİ2001. 215 $a1 online resource (251 p.) 225 1 $aInternational journal of psychoanalysis key papers series 300 $aDescription based upon print version of record. 311 $a0-367-32618-3 311 $a1-85575-275-1 320 $aIncludes bibliographical references. 327 $aCOVER; CONTENTS; 1. Introduction; 2. The end of time: a psychoanalytic perspective on Ingmar Bergman's Wild Strawberries; 3. Hitchcock's Vertigo: the collapse of a rescue fantasy; 4. Neil Jordan's The Crying Game; 5. Hidden in the imagery: an unconscious scene in The Conformist; 6. ""Ah doctor, is there nothin' I can take?"": A Review of Reservoir Dogs; 7. Arthur Penn's Night Moves: a film that interprets us Emanuel Berman, Israel; 8. Lone Star: signs, borders and thresholds; 9. Letters, words and metaphors: a psychoanalytic reading of Michael Radford's II Postino 327 $a10. Truffaut and the failure of introjection11. I have not spoken: silence in The Piano; 12. Over-exposure: Terry Zwigoff's Crumb; 13. Narrating desire and desiring narration: a psychoanalytic reading of The English Patient; 14. The Remains of the Day; 15. Deconstructing Dirty Harry: Clint Eastwood's undoing of the Hollywood myth of screen masculinity; 16. The thing from inner space: Titanic and Deep Impact; 17. Chinatown; 18. Saving Private Ryan's surplus repression; 19. M(1931); 20. Remembering and repeating in Eve's Bayou; 21. Watching voyeurs: Michael Powell's Peeping Tom (1960) 327 $a22. Egoyan's Exotica: where does the real horror reside?23. The real thing? Some thoughts on Boys Don't-Cry; 24. 15 minutes of fame revisited: Being John Malkovich; 25. The Sixth Sense 330 3 $aIn full acknowledgment of the important cultural significance of film, this outstanding collection of psychoanalytic essays brings a methodological and theoretical sophistication to an absorbing range of film material. From Wild Strawberries and Vertigo to Titanic and Being John Malkovich, this intelligent and enjoyable collection succeedes in combining clarity and accessibility with a deeply informed scholarship. 410 0$aInternational journal of psychoanalysis key papers series. 606 $aPsychoanalysis and motion pictures 606 $aMotion pictures$xPsychological aspects 608 $aElectronic books. 615 0$aPsychoanalysis and motion pictures. 615 0$aMotion pictures$xPsychological aspects. 676 $a150.195 676 $a791.43/01/9 700 $aGabbard$b Glen O.$0167351 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910461203703321 996 $aPsychoanalysis and film$91890090 997 $aUNINA