LEADER 00936nam0-22003371i-450- 001 990008770270403321 005 20090402133314.0 010 $a1-56347-281-3 035 $a000877027 035 $aFED01000877027 035 $a(Aleph)000877027FED01 035 $a000877027 100 $a20081202d1999----km-y0itay50------ba 101 0 $aeng 102 $aUS 105 $aa-------001yy 200 1 $aAircraft design$ea conceptual approach$fDaniel P. Raymer 205 $a3rd ed. 210 $aReston, Va$cAmerican Institute of Aeronautics and Astronautics$dc1999 215 $aXVII, 923 p.$cill.$d24 cm 225 1 $aAIAA Education series 610 0 $aImpianti aeronautici 676 $a629.134 700 1$aRaymer,$bDaniel P.$012302 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990008770270403321 952 $aE62$b622$fDINPA 959 $aDINPA 996 $aAircraft design$9117979 997 $aUNINA LEADER 03517nam 2200613 450 001 9910461158803321 005 20200520144314.0 010 $a1-4529-4230-7 035 $a(CKB)3710000000550370 035 $a(EBL)4391643 035 $a(MiAaPQ)EBC4391643 035 $a(OCoLC)966824719 035 $a(MdBmJHUP)muse52168 035 $a(Au-PeEL)EBL4391643 035 $a(CaPaEBR)ebr11152874 035 $a(CaONFJC)MIL884339 035 $a(OCoLC)933741435 035 $a(EXLCZ)993710000000550370 100 $a20160218h20142014 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aCinders /$fJacques Derrida ; translated by Ned Lukacher ; introduction by Cary Wolfe 205 $aFirst University of Mennesota Press edition. 210 1$aMinneapolis, Minnesota :$cUniversity of Minnesota Press,$d2014. 210 4$dİ2014 215 $a1 online resource (104 p.) 225 1 $aPosthumanities ;$v28 300 $aTranslation of: Feu la cendre. 311 $a0-8166-8954-7 320 $aIncludes bibliographical references. 327 $aContents; Introduction; Prologue; Animadversions; Cinders; Sources for Animadversions; Translator's Notes 330 $a" "More than fifteen years ago," Jacques Derrida writes in the prologue to this remarkable and uniquely revealing book, "a phrase came to me, as though in spite of me. It imposed itself upon me with the authority, so discreet and simple it was, of a judgment: cinders there are (il y a là cendre). I had to explain myself to it, respond to it--or for it." In Cinders Derrida ranges across his work from the previous twenty years and discerns a recurrent cluster of arguments and images, all involving in one way or another ashes and cinders. For Derrida, cinders or ashes--at once fragile and resilient--are "the better paradigm for what I call the trace--something that erases itself totally, radically, while presenting itself." In a style that is both highly condensed and elliptical, Cinders offers probing reflections on the relation of language to truth, writing, the voice, and the complex connections between the living and the dead. It also contains some of his most essential elaborations of his thinking on the feminine and on the legacy of the Holocaust (both a word--from the Greek holos, "whole," and kaustos, "burnt"--and a historical event that invokes ashes) in contemporary poetry and philosophy. In turning from the texts of other philosophers to his own, Cinders enables readers to follow the trajectory from Derrida's early work on the trace, the gramma, and the voice to his later writings on life, death, time, and the spectral. Among the most accessible of this renowned philosopher's many writings, Cinders is an evocative and haunting work of poetic self-analysis that deepens our understanding of Derrida's critical and philosophical vision. "--$cProvided by publisher. 410 0$aPosthumanities ;$v28. 606 $aPlays on words 606 $aHomonyms 606 $aAmbiguity 608 $aElectronic books. 615 0$aPlays on words. 615 0$aHomonyms. 615 0$aAmbiguity. 676 $a401/.41 700 $aDerrida$b Jacques$0139765 702 $aLukacher$b Ned$f1950- 702 $aWolfe$b Cary 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461158803321 996 $aCinders$92484958 997 $aUNINA