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The part of tens. 330 $a Bring your design vision to life with this full-color guide to AutoCAD 2013! Used by everyone from engineers and architects to interior designers and draftspeople, AutoCAD 2013 is the world's leading 2D and 3D technical drawing program. But, with so many options and features available, finding your way around AutoCAD can be a challenge, even for experienced CAD professionals. AutoCAD 2013 For Dummies is here to help. You'll learn to build a solid foundation for all your projects, use standard CAD techniques, get familiar with new tools and features, and start sharing you 410 0$a--For dummies. 606 $aArt and design$xComputer programs$vHandbooks, manuals, etc 608 $aElectronic books. 615 0$aArt and design$xComputer programs 676 $a620.004202855369 676 $a620.0042029 700 $aByrnes$b David$0890049 701 $aFane$b Bill R$0890050 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461125803321 996 $aAutoCAD 2013 for dummies$91988497 997 $aUNINA LEADER 01109nam a2200313 i 4500 001 991000809939707536 005 20020507173853.0 008 950306s1980 ne ||| | eng 020 $a0444853057 035 $ab10760313-39ule_inst 035 $aLE01302661$9ExL 040 $aDip.to Matematica$beng 082 0 $a511.322 084 $aAMS 04A15 084 $aQA248 100 1 $aMoschovakis, Yiannis N.$049429 245 10$aDescriptive set theory /$cYiannis N. 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Paris-Dauphine : The early punk scene in Brisbane, Australia as site of social and postcolonial -- 4. Jeremy Tranmer, Université de Lorraine: ?Victory to the Miners!? Punk and the Miners? Strike of 1984/85 -- Subcultures, sub-genres and social class -- 5.Timothy Heron, Université de Strasbourg : ??Rotting in the suburbs? ? Voicing Working-Class Deprivation in 1970s Northern Ireland Punk Songs -- 6.Guillaume Clément, Université de Rennes : Working-class and middle-class in the age of Brexit: social commentary by contemporary post-punk bands -- 7. Eric Smialek, Huddersfield University : Mapping Social-Class Divisions within Metal: Global Material Conditions, Disciplinary Priorities, Subgeneric Trends, and Stylistic Analyses -- Evolving audiences : ageing, gentrification, feminization? -- 8. Pierig Humeau, Universite? de Limoges : « We're dominated, So What" ? We Don't Give a F**k : Punk Stylistic Spaces, Social Classes and Political-artistic Ageing" inFrance -- 9.Rosemary Lucy Hill, Huddersfield University, Molly Megson, University of Hull, and David Hesmondhalgh, University of Leeds : Sexual Violence in the Pit -- 10. Corentin Charbonnier, Universite? de Tours : Gentrifying metal ? The Evolving Gender and Social Class characteristics of Metal Festival Audiences : A Statistical Study of the HellfestFestival (France) -- 11.Charle?ne Be?nard, Université Sorbonne Nouvelle: Who listens to « metal for girls » ? Metal, orchestra and female voices: measuring the reception of symphonic metal. 330 $a?This book seeks to rethink much of the mythology that has grown around the two genres regarding their status as ?working-class? styles. International in scope, interdisciplinary in method, Musical Scenes and Social Class is essential reading for anyone seeking to better understand the social character of popular music genres.? ? Steve Waksman, author of This Ain?t the Summer of Love: Conflict and Crossover in Heavy Metal and Punk, USA ?This is an essential collection of essays, unpicking and critiquing the cultural, sonic, political and aesthetic dimensions of punk and metal. Through comparative analysis, new insights are made.? ?Matthew Worley, author of No Future: Punk, Politics and British Youth Culture, 1976?1984 University of Reading, UK ?In a fragmentation and large-scale social crisis context, this volume takes up the debate between punk and metal and class belonging, showing us the interrelations between practices and their determination by social belongings. A vital feature of the book is the demonstration of the self-renewal of punk and metal. The irreverence, resistance, and personification of subaltern and paradoxical identities portrayed here represent a step forward ? ?Paula Guerra, KISMIF Co-Convenor, University of Porto, Portugal Early analysts of both punk and metal have shown their continuing popularity for segments of the public who were often considered in the 1970s and 1980s as ?losers of globalization? despite the level of fragmentation of these scenes, the diversity of their audiences? backgrounds, and their constant evolution and re-invention. This volume aims to stimulate and contribute to debates on social class and economic and cultural change, on one side, and punk and metal, on the other, through international, contemporary and historical approaches, mainly focused on Britain and France. Romain Garbaye is Professor of British Studies at the Université Sorbonne Nouvelle. His research focuses on the history of immigration and citizenship in the United Kingdom, as well as on the history of British rock music. Gérôme Guibert is Professor of Sociology at the Université Sorbonne Nouvelle. He is a popular music studies scholar and an ISMMS (International Society for Metal Music Studies) board Member. . 410 0$aPop Music, Culture and Identity,$x2634-6621 606 $aPopular music 606 $aCulture$xStudy and teaching 606 $aPop and Rock 606 $aPopular Music 606 $aCultural Theory 615 0$aPopular music. 615 0$aCulture$xStudy and teaching. 615 14$aPop and Rock. 615 24$aPopular Music. 615 24$aCultural Theory. 676 $a781.660941 702 $aGarbaye$b Romain 702 $aGuibert$b Ge?ro?me 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910874668503321 996 $aMusical Scenes and Social Class$94237719 997 $aUNINA