LEADER 02477oam 2200505I 450 001 9910461096703321 005 20200520144314.0 010 $a0-429-90995-0 010 $a0-429-48518-2 010 $a1-78241-439-8 024 7 $a10.4324/9780429485183 035 $a(CKB)3710000000478770 035 $a(EBL)4006517 035 $a(MiAaPQ)EBC4006517 035 $a(Au-PeEL)EBL4006517 035 $a(CaPaEBR)ebr11101686 035 $a(CaONFJC)MIL832804 035 $a(OCoLC)927490334 035 $a(OCoLC)1029499132 035 $a(EXLCZ)993710000000478770 100 $a20180706d2015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aWomen and images of men in cinema $egender construction in La Belle et la B?te by Jean Cocteau /$fedited by Andreas Hamburger 210 1$aLondon :$cKarnac,$d2015. 215 $a1 online resource (193 p.) 300 $aDescription based upon print version of record. 311 $a0-367-32983-2 311 $a1-78220-290-0 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $tpart, I Beauties and Beasts in Film Psychoanalysis -- $tchapter One Women and images of men in cinema /$r Andreas Hamburger -- $tchapter Two Psychoanalytical film interpretation?possibilities and limitations* /$r Wolfgang Mertens -- $tchapter Three Beautiful beasts?motif tradition and film psychoanalysis in Jean Cocteau?s La Belle et la Bête (F 1946) /$r Andreas Hamburger -- $tpart, II The Beauties -- $tchapter Four La Belle, la Bête, et la rose /$r Andrea Sabbadini -- $tchapter Five ?You can?t say no to the Beauty and the Beast ??* Or: an ending and no beautiful beast /$r Christine Kirchhoff -- $tpart, III The Beasts -- $tchapter Six Once upon a time?Beauty and the Beast?a surrealistic survival attempt in the year 1946? /$r Marianne Leuzinger-Bohleber -- $tchapter Seven Coming over to the wild side: women?s yearning for beastly encounters in the course of film history /$r Andreas Rost. 606 $aPsychoanalysis and motion pictures 608 $aElectronic books. 615 0$aPsychoanalysis and motion pictures. 676 $a791.43019 702 $aHamburger$b Andreas 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910461096703321 996 $aWomen and images of men in cinema$92064238 997 $aUNINA