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100   $a20190208d2015      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aSoftimage $etowards a new theory of the digital image /$fIngrid Hoelzl and Re?mi Marie
210  1$aBristol, England ;$aChicago, Illinois :$cIntellect,$d[2015]
210  4$dİ2015
215   $a1 online resource (160 p.)
300   $aDescription based upon print version of record.
311   $a1-78320-503-2 
327   $aCover; Half-Title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgements; Introduction; Chapter 1: Moving Stills (The Ken Burns Effect); Chapter 2: Expanded Photography (The Desire for Endlessness); Chapter 3: The Photographic Now (From Sign to Signal); Chapter 4: In the Matrix (From Geometry to Algorithm); Chapter 5: The Operative Image (Google Street View: The World as Database); Chapter 6: In the Urban Data-Space (The Image as Moment of Network Access); Conclusion: Softimage; Bibliography; Back Cover
330   $aWith Today'S Digital Technology, the Image Is No Longer a Stable Representation of the World, but a Programmable View of a Database That Is Updated in Real Time. It No Longer Functions as a Political and Iconic Representation, but Plays a Vital Role in Synchronic Data-Todata Relationships. It Is Not Only Part of a Programme, but It Contains Its Own 'Operating Code': It Is a Programme in Itself. Softimage Aims to Account for That New Reality, Taking Readers on a Journey That Gradually Undoes Our Unthinking Reliance on the Apparent Solidity of the Photographic Image and Building in Its Place an 
606   $aPhotography$xDigital techniques
608   $aElectronic books.
615  0$aPhotography$xDigital techniques.
676   $a775
700   $aHoelzl$b Ingrid$0900565
702   $aMarie$b Re?mi
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910461088503321
996   $aSoftimage$92011994
997   $aUNINA