LEADER 03652nam 2200649Ia 450 001 9910461080203321 005 20200520144314.0 010 $a1-283-95397-8 010 $a1-78042-929-0 035 $a(CKB)2670000000180968 035 $a(EBL)915109 035 $a(OCoLC)793511418 035 $a(SSID)ssj0000660839 035 $a(PQKBManifestationID)12239871 035 $a(PQKBTitleCode)TC0000660839 035 $a(PQKBWorkID)10707377 035 $a(PQKB)10011772 035 $a(MiAaPQ)EBC915109 035 $a(PPN)177448032 035 $a(Au-PeEL)EBL915109 035 $a(CaPaEBR)ebr10622045 035 $a(CaONFJC)MIL426647 035 $a(EXLCZ)992670000000180968 100 $a20080210d2009 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAmerican graffiti$b[electronic resource] /$fMargo Thompson 210 $aNew York $cParkstone International$dc2009 215 $a1 online resource (256 p.) 225 0$aTemporis collection 300 $aDescription based upon print version of record. 311 $a1-84484-561-3 320 $aIncludes bibliographical references and index. 327 $aContents; Introduction; Authenticity; Primitivism; The Avant-Garde; Acknowledgments; Subway Writers; Writing Culture: Social Networks and the Transmission of Skills; Lettering and Style; Evaluating Quality; BLADE; RAMMELLZEE; NOC 167; QUIK and SEEN; DONDI, FUTURA 2000, ZEPHYR, and LEE; DONDI; FUTURA 2000; ZEPHYR; Graffiti 1980; LEE; LEE and FAB FIVE FREDDY at Galleria la Medusa; FAB FIVE FREDDY; Fashion Moda; CRASH; DAZE; LADY PINK; Graffiti Art and the East Village Art Scene, 1980-1981; The Times Square Show; Events: Fashion Moda at the New Museum; 'The Fire Down Below'; New York/New Wave 327 $aBeyond Words: Graffiti-Based, -Rooted, and -Inspired Work Graphiti Productions and Graffiti: Above ground; The Fun Gallery Opens; 'The Radiant Child'; Graffiti in Galleries; Solo Shows at the Fun Gallery and 51X; Graffiti Art at Fashion Moda; Graffiti Art and the East Village Phenomenon; Graffiti Art in Art in America and Art News; Basquiat's Solo Show at Fun Gallery; The Pledge of Allegiance; Hubert and Dolores Neumann; Post-Graffiti; Graffiti After Post-Graffiti; Graffiti Art, 1984-1988; The East Village: A Status Report; The Contemporary Art Hype; The End of the East Village 327 $aAmerican Graffiti in Europe Graffiti in European Galleries and Museums; Notes; Bibliography; Index 330 $aThe first appearances of graffiti "tags" (signatures) on New York City subway trains in the early 1970's were discarded as incidents of vandalism or the rough, violent cries of the ignorant and impoverished. However, as the graffiti movement progressed and tags became more elaborate and ubiquitous, genuine artists emerged whose unique creativity and unconventional media captured the attention of the world.Featuring gallery and street works by several contributors to the graffiti scene, this book offers insight into the lives of urban artists, describes their relationship with the bourgeois art 410 0$aTemporis 606 $aGraffiti$zUnited States 606 $aStreet art$zUnited States 606 $aPainting, American$y20th century 608 $aElectronic books. 615 0$aGraffiti 615 0$aStreet art 615 0$aPainting, American 676 $a394 700 $aThompson$b Margo$0868769 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461080203321 996 $aAmerican graffiti$91939319 997 $aUNINA