LEADER 04510nam 22006371a 450 001 9910461073003321 005 20200520144314.0 010 $a988-220-926-2 010 $a988-8053-86-8 035 $a(CKB)2670000000159982 035 $a(EBL)877740 035 $a(OCoLC)782879925 035 $a(SSID)ssj0000640213 035 $a(PQKBManifestationID)11401953 035 $a(PQKBTitleCode)TC0000640213 035 $a(PQKBWorkID)10611651 035 $a(PQKB)11080662 035 $a(StDuBDS)EDZ0000084850 035 $a(MiAaPQ)EBC877740 035 $a(MdBmJHUP)muse3808 035 $a(Au-PeEL)EBL877740 035 $a(CaPaEBR)ebr10547286 035 $a(PPN)260003670 035 $a(EXLCZ)992670000000159982 100 $a20111101d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Pusan International Film Festival$b[electronic resource] $eSouth Korean cinema and globalization /$fSooJeong Ahn 210 $aHong Kong $cHong Kong University Press ;$aLondon $cEurospan [distributor]$dc2012 215 $a1 online resource (231 p.) 225 1 $aTransAsia: screen cultures 300 $aDescription based upon print version of record. 311 $a988-8083-58-9 320 $aIncludes bibliographical references and index. 327 $aNote to reader -- Abbreviations -- Introduction -- Film festivals between the national and the regional in the age of globalization -- 1. Why Pusan? : the political economy of a film festival -- 2. Negotiating a place between Korean cinema and Asian cinema : programming politics -- 3. Re-imagining the past : programming retrospectives -- 4. A global film producer : the Pusan promotion plan -- 5. Remapping Asian cinema : the tenth anniversary in 2005 -- Conclusion : toward a new channel -- Appendix 1. Film festivals in East Asia (1999) -- Appendix 2. PIFF over 15 years (1996-2010) -- Appendix 3. Main program sections of PIFF -- Appendix 4. An overview of the tenth PIFF (October 6-14, 2005) -- Appendix 5. PPP project accomplishments (1998-2005) -- Notes -- Bibliography -- Index. 330 $aThis book is the first book-length study of a non-Western film festival. While studies of film festivals were still relatively uncommon in the 1990s, the new millennium has seen a growing academic interest in these festive events where culture often goes hand in hand with commerce. Recently, a variety of articles, book chapters, monographs and dissertations have been devoted to various aspects of the film festival phenomenon. However, very little primary empirical research has been conducted to date on non-Western film festivals. Therefore, this project is original and timely and will complement existing publications, without duplicating any. This project argues that the initiation, development and growth of the Pusan International Film Festival need to be understood as the result of a productive tension between the demands of the local, the national, and the regional, and the festival's efforts to serve these different constituencies. The book also reflects the complexities brought about by the rapid transformation of the South Korean film industry which has striven to reach out to the global market since the late 1990s by closely looking at the first international film festival, PIFF in South Korea. As this book focuses upon PIFF's vital role in linking with its national and regional film industries, it will offer a fresh perspective towards the existing discussions on the "Korean wave" in the Asian region. Drawing on a wide range of primary materials and exclusive interviews, the book offers a unique and original perspective on the film festival phenomenon that will be of use to scholars of East Asian cinema, transnational media flows, and contemporary Asian culture more broadly. 410 0$aTransAsia: screen cultures. 606 $aFilm festivals$zKorea (South)$zPusan$xHistory 606 $aMotion picture industry$zKorea (South) 606 $aMotion pictures and globalization 608 $aElectronic books. 615 0$aFilm festivals$xHistory. 615 0$aMotion picture industry 615 0$aMotion pictures and globalization. 676 $a791.430745195 700 $aAhn$b SooJeong$01045399 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461073003321 996 $aThe Pusan International Film Festival$92471652 997 $aUNINA