LEADER 04494oam 22006374a 450 001 9910461051703321 005 20211004152545.0 010 $a1-5261-0215-3 035 $a(CKB)3710000000529332 035 $a(EBL)4706209 035 $a(MiAaPQ)EBC4706209 035 $a(Au-PeEL)EBL4706209 035 $a(CaPaEBR)ebr11274610 035 $a(OCoLC)960166179 035 $a(OCoLC)1100842875 035 $a(MdBmJHUP)musev2_78504 035 $a(EXLCZ)993710000000529332 100 $a20160906h20162013 uy 0 101 0 $aeng 135 $aurun#---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aOpen graves, open minds$eRepresentations of vampires and the Undead from the Enlightenment to the present day /$fedited by Sam George and Bill Hughes 210 1$aManchester, [England] ;$aOxford, England :$cManchester University Press,$d2013. 210 4$dİ2013 215 $a1 online resource (335 pages) $cillustrations (black & white); digital, PDF file(s) 300 $aDescription based upon print version of record. 311 $a1-78499-362-X 311 $a0-7190-8941-7 320 $aIncludes bibliographical references and index. 327 $g1.$tIntroduction /$rSam George and Bill Hughes --$g2.$tThe deformed transformed; or, from bloodsucker to Byronic hero: Polidori and the literary vampire /$rConrad Aquilina --$g3.$tSheridan Le Fanu's vampires and Ireland's invited invasion /$rJulieann Ulin --$g4.$t'He make in the mirror no reflect': undead aesthetics and mechanical reproduction : Dorian Gray, Dracula and David Reed's 'vampire painting' /$rSam George --$g5.$tThe vampire as dark and glorious necessity in George Sylvester Viereck's House of the Vampire and Hanns Heinz Ewers's Vampir /$rLisa Lampert-Weissig --$g6.$tThe undead in the kingdom of the shadows: the rise of the cinematic vampire /$rStacey Abbott --$g7.$tCrossing oceans of time: Stoker, Coppola and the 'new vampire' film /$rLindsey Scott --$g8.$t'I feel strong. I feel different': transformations, vampires and language in Buffy the Vampire Slayer /$rMalgorzata Drewniok --$g9.$tGothic Charm School; or, how vampires learned to sparkle /$rCatherine Spooner --$g10.$tA vampire heaven: the economics of salvation in Dracula and The Twilight Saga /$rJennifer H. Williams --$g11.$tThe Twilight Saga and the pleasures of spectatorship: the broken body and the shining body /$rSara Wasson and Sarah Artt --$g12.$tThe postmodern vampire in 'post-race' America: HBO's True Blood /$rMichelle J. Smith --$g13.$tMyriad mirrors: doppelga?ngers and doubling in The Vampire Diaries /$rKimberley McMahon-Coleman --$g14.$tThe vampire in the machine: exploring the undead interface /$rIvan Phillips --$g15.$t'Legally recognised undead': essence, difference and assimilation in Daniel Waters's Generation Dead /$rBill Hughes --$g16.$tThe elusive vampire: folklore and fiction: writing My Swordhand is Singing /$rMarcus Sedgwick. 330 $aThis collection of interconnected essays relates the Undead in literature, art and other media to questions concerning gender, race, genre, technology, consumption and social change. A coherent narrative follows Enlightenment studies of the vampire's origins in folklore and folk panics, the sources of vampire fiction, through Romantic incarnations in Byron and Polidori to Le Fanu's Carmilla. Further essays discuss the Undead in the context of Dracula, fin-de-sie?cle decadence, Nazi Germany and early cinematic treatments. The rise of the sympathetic vampire is charted from Coppola's film, Bram S 606 $aVampires on television$2fast$3(OCoLC)fst01740498 606 $aVampires in literature$2fast$3(OCoLC)fst01163974 606 $aVampire films$2fast$3(OCoLC)fst01163964 606 $aVampire films$xHistory and criticism 606 $aVampires on television 606 $aVampires in literature 608 $aCriticism, interpretation, etc. 608 $aElectronic books. 615 0$aVampires on television. 615 0$aVampires in literature. 615 0$aVampire films. 615 0$aVampire films$xHistory and criticism. 615 0$aVampires on television. 615 0$aVampires in literature. 676 $a791.43675 702 $aHughes$b Bill 702 $aGeorge$b Sam$cDr., 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910461051703321 996 $aOpen graves, open minds$92273753 997 $aUNINA