LEADER 05217nam 2200637 450 001 9910461048603321 005 20200520144314.0 010 $a1-78297-664-7 010 $a1-78297-666-3 035 $a(CKB)3710000000431287 035 $a(EBL)2069781 035 $a(SSID)ssj0001535675 035 $a(PQKBManifestationID)11893015 035 $a(PQKBTitleCode)TC0001535675 035 $a(PQKBWorkID)11502839 035 $a(PQKB)11178338 035 $a(MiAaPQ)EBC2069781 035 $a(Au-PeEL)EBL2069781 035 $a(CaPaEBR)ebr11065899 035 $a(CaONFJC)MIL798852 035 $a(OCoLC)911034285 035 $a(EXLCZ)993710000000431287 100 $a20150624h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aAthenian potters and painters$hVolume III /$fedited by John H. Oakley 210 1$aOxford, [England] ;$aPhiladelphia, Pennsylvania :$cOxbow Books,$d2014. 210 4$dİ2014 215 $a1 online resource (313 p.) 300 $a"This volume contains the papers presented at the international conference Athenian Potters and Painters III held at the College of William and Mary in Virginia on September 11- 14, 2012 (http://www.wm.edu/as/classicalstudies/athenian-conference/). The study of Athenian pottery, the most important fine ware in the Mediterranean during the Greek Archaic and Classical periods, is a rich subject, and this is the third conference devoted to it, the first in the USA. The two previous ones were held in Athens, Greece at the American School of Classical Studies at Athens in 1994 and 2007." 311 $a1-78297-663-9 327 $aCover; Dedication Page; Title Page; Copyright Page; Contents; Foreword; Chapter 1: Fallen Vessels and Risen Spirits: Conveying the Presence of the Dead on White-ground Lekythoi; Chapter 2: Under the Tuscan Soil: Reuniting Attic Vases with an Etruscan Tomb; Chapter 3: Regional Variation: Pelops and Chrysippos in Apulia; Chapter 4: Baskets, Nets and Cages: Indicia of Spatial Illusionism in Athenian Vase-painting; Chapter 5: Red-figured Cups in the Kerameikos; Chapter 6: Smikros and Epilykos: Two Comic Inventions in Athenian Vase-painting 327 $aChapter 7: Facing West: Athenian Influence on Isolated Heads in Italian Red-Figure Vase-paintingChapter 8: The Gigantomachy in Attic and Apulian Vase-painting. A New Look at Similarities, Differences and Origins; Chapter 9: Plates by Paseas; Chapter 10: Some Greek Vases in the Museum of Mediterranean Archaeology at Nir David (Gan Hashlosha), Israel; Chapter 11: Trade of Athenian Figured Pottery and the Effects of Connectivity; Chapter 12: Beautiful Men on Vases for the Dead; Chapter 13: The View from Behind the Kline: Symposial Space and Beyond 327 $aChapter 14: Chariots in Black-figure Attic Vase-painting: Antecedents and RamificationsChapter 15: "Whom are You Calling a Barbarian?" A Column Krater by the Suessula Painter; Chapter16: Good Dog, Bad Dog: A Cup by the Triptolemos Painter and Aspects of Canine Behavior on Athenian Vases; Chapter 17: A Scorpion and a Smile: Two Vases in the Kemper Museum of Art in St. Louis; Chapter 18: Demographics and Productivity in the Ancient Athenian Pottery Industry; Chapter 19: An Amazonomachy Attributed to the Syleus Painter 327 $aChapter 20: Democratic Vessels? The Changing Shapes of Athenian Vases in Late Archaic and Early Classical TimesChapter 21: A Kantharos in the Museum of Fine Arts, Boston and the Reception of Athenian Red-figure in Boeotia; Chapter 22: Oikos and Hetairoi: Black-figure Departure Scenes Reconsidered; Chapter 23: The Robinson Group of Panathenaic Amphorae; Chapter 24: Guess Who's Coming to Dinner? Red-figure Komasts and the Performance Culture of Athens; Chapter 25: Menelaos and Helen in Attic Vase Painting 327 $aChapter 26: Attic Black-figure and Red-figure Fragments from the Sanctuary of Apollo at Mandra on DespotikoChapter 27: The Attic Phiale in Context. The Late Archaic Red-figure and Coral-red Workshops; Color Plates 330 $aAthenian Potters and Painters III presents a rich mass of new material on Greek vases, including finds from excavations at the Kerameikos in Athens and Despotiko in the Cyclades. Some contributions focus on painters or workshops - Paseas, the Robinson Group, and the structure of the figured pottery industry in Athens; others on vase forms - plates, phialai, cups, and the change in shapes at the end of the sixth century BC. Context, trade, kalos inscriptions, reception, the fabrication of inscribed painters' names to create a fictitious biography, and the reconstruction of the contents of an Et 606 $aPottery, Ancient$vCongresses 606 $aPotters$zGreece$zAthens$vCongresses 606 $aPainters$zGreece$zAthens$vCongresses 608 $aElectronic books. 615 0$aPottery, Ancient 615 0$aPotters 615 0$aPainters 676 $a738.309358 702 $aOakley$b John H. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461048603321 996 $aAthenian potters and painters$988442 997 $aUNINA LEADER 01198nam 2200325Ia 450 001 996387414403316 005 20221103135243.0 035 $a(CKB)4940000000084864 035 $a(EEBO)2240857722 035 $a(OCoLC)27064619 035 $a(EXLCZ)994940000000084864 100 $a19921204d1677 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aCatalogus librorum bibliothec? 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