LEADER 05303nam 2200637 450 001 9910460972803321 005 20200520144314.0 010 $a0-19-100296-8 010 $a0-19-100295-X 035 $a(CKB)3710000000437193 035 $a(EBL)2054017 035 $a(SSID)ssj0001539617 035 $a(PQKBManifestationID)11901140 035 $a(PQKBTitleCode)TC0001539617 035 $a(PQKBWorkID)11531296 035 $a(PQKB)10090721 035 $a(MiAaPQ)EBC2054017 035 $a(Au-PeEL)EBL2054017 035 $a(CaPaEBR)ebr11071105 035 $a(CaONFJC)MIL804225 035 $a(OCoLC)912421317 035 $a(EXLCZ)993710000000437193 100 $a20150710h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPicturing the apocalypse $ethe book of revelation in the arts over two millennia /$fNatasha O'Hear, Anthony O'Hear 205 $aFirst edition. 210 1$aOxford, England :$cOxford University Press,$d2015. 210 4$dİ2015 215 $a1 online resource (388 p.) 300 $aDescription based upon print version of record. 311 $a0-19-968901-6 320 $aIncludes bibliographical refererences and index. 327 $aCover; Picturing the Apocalypse: The Book of Revelation in the Arts Over two Millennia; Copyright; Dedication; Acknowledgements; Contents; List of Illustrations; List of Plates; List of Tables; Introduction: Revelation: Meanings and Interpretations; Revelation: relevant for today? ; Outline of Revelation; One narrative or many? Finding a way into Revelation; Revelation and the end times; Revelation as an inspiration to art; Key works of art referred to in this book; The Trier Apocalypse; The Beatus Apocalypses; The Anglo-Norman Apocalypses; The Angers Apocalypse Tapestry 327 $aThe Flemish ApocalypseThe Ghent Altarpiece; Memling's St John Altarpiece; The Apocalypse series of Albrecht Du?rer and Lucas Cranach ; William Blake's Apocalypse images; Max Beckmann; 1: The Angel of the Apocalypse: John's Journey and his Angelic Guides; John's prophetic commission; The vision of the heavenly throne room; The mighty angel (Rev. 10); Warrior angels; Angels in the New Jerusalem; Conclusion; 2: The Lamb ; The Lamb in Revelation; The Lamb in visual imagery; Medieval visualizations of the Lamb; Later visualizations of the Lamb; The Lamb in music; Conclusion; 3: The Four Horsemen 327 $aThe Four Horsemen in RevelationThe Four Horsemen in visual imagery; Medieval images; Du?rer and Cranach and the Four Horsemen; The Four Horsemen in the eighteenth and nineteenth centuries; The Four Horsemen in twentieth-century satire; Conclusion; 4: The Seven Seals: Angelic Destruction; Revelation's sequences of seven; Depictions of the sequences of seven; The Seven Seals; The Trinity Apocalypse; El Greco; Danby's The Opening of the Sixth Seal; The Seventh Seal; The Seven Trumpets; The Trinity Apocalypse; Du?rer and the Seven Trumpets; Coppola's Apocalypse Now; The Seven Bowls 327 $aThe Flemish ApocalypseConclusion; 5: The Woman Clothed with the Sun ; The Woman Clothed with the Sun in Revelation ; Imagery of the Woman Clothed with the Sun ; Medieval visualizations; The fourteenth and fifteenth centuries; Vela?zquez, Blake, Redon; Twentieth-century visualizations; Conclusion; 6: The Satanic Trinity ; Interpreting the Beasts; The Beasts in visual imagery; Medieval Beasts; The Beasts in the Renaissance: Antichrist and the church; The papal Beast: the Beasts and the Reformation; William Blake and the Beasts of Revelation; The Beasts and modernity; Conclusion 327 $a7: The Whore of BabylonInterpreting the Whore of Babylon; The Whore of Babylon in visual imagery; Medieval interpretations; Renaissance and Reformation visualizations; Blake and modern interpretations; Conclusion; 8: Armageddon, the Millennium, and the Last Judgement ; Armageddon; Images of Armageddon; Medieval visualizations of Armageddon; Modern visualizations of Armageddon; The Millennium; Images of the Millennium; The Last Judgement; Images of the Last Judgement; Conclusion; 9: The New Jerusalem; The meaning of the New Jerusalem; Visualizations of the New Jerusalem 327 $aThe New Jerusalem as cathedral 330 $aThe book of Revelation has been a source of continual fascination for nearly two thousand years. Concepts such as the Lamb of God, the Four Horsemen, the Seventh Seal, the Beasts and Antichrist, the Whore of Babylon, Armageddon, the Millennium, the Last Judgement, the New Jerusalem, and the ubiquitous angels of the Apocalypse have captured the popular imagination. One can hardly open a newspaper or click on a news site without reading about impending financial orclimate-change Armageddon, while the concept of the Four Horsemen pervades popular music, gaming, and satire. Yet few people know muc 606 $aApocalypse in art 608 $aElectronic books. 615 0$aApocalypse in art. 676 $a704.9484 700 $aO'Hear$b Natasha$0984068 702 $aO'Hear$b Anthony 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910460972803321 996 $aPicturing the apocalypse$92247268 997 $aUNINA