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200 10$aWhiting up$b[electronic resource] $ewhiteface minstrels and stage Europeans in African American performance /$fby Marvin McAllister
210   $aChapel Hill $cUniversity of North Carolina Press$dc2011
215   $a1 online resource (347 p.)
300   $aDescription based upon print version of record.
311   $a1-4696-1880-X 
311   $a0-8078-3508-0 
320   $aIncludes bibliographical references and index.
327   $aIntroduction : whiting up work -- Liberatory whiteness : early whiteface minstrels, enslaved and free -- Imitation whiteness : James Hewlett's stage Europeans -- Low-down whiteness : a trip to coontown -- Trespassing on whiteness : Negro actors and the Nordic complex -- Estranging whiteness : queens, clowns, and beasts in 1960s Black drama -- White people be like-- : Black solo and racial difference -- Conclusion : problems and possibilities of whiting up.
330   $aIn the early 1890's, black performer Bob Cole turned blackface minstrelsy on its head with his nationally recognized whiteface creation, a character he called Willie Wayside. Just over a century later, hiphop star Busta Rhymes performed a whiteface supercop in his hit music video ""Dangerous."" In this sweeping work, Marvin McAllister explores the enduring tradition of ""whiting up,"" in which African American actors, comics, musicians, and even everyday people have studied and assumed white racial identities. Not to be confused with racial ""passing"" or derogatory notions of ""acting...
606   $aMinstrel shows$zUnited States$xHistory
606   $aAfrican Americans in the performing arts$xHistory
608   $aElectronic books.
615  0$aMinstrel shows$xHistory.
615  0$aAfrican Americans in the performing arts$xHistory.
676   $a791.43/652996073
700   $aMcAllister$b Marvin Edward$f1969-$0975894
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906   $aBOOK
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996   $aWhiting up$92455093
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