LEADER 03207nam 22006255 450 001 9910460931603321 005 20210513205628.0 010 $a0-231-53848-0 024 7 $a10.7312/lowe16656 035 $a(CKB)3710000000346488 035 $a(EBL)1885352 035 $a(OCoLC)902664985 035 $a(SSID)ssj0001405289 035 $a(PQKBManifestationID)11809853 035 $a(PQKBTitleCode)TC0001405289 035 $a(PQKBWorkID)11387694 035 $a(PQKB)11050356 035 $a(StDuBDS)EDZ0001248595 035 $a(DE-B1597)458421 035 $a(OCoLC)979745773 035 $a(DE-B1597)9780231538480 035 $a(MiAaPQ)EBC1885352 035 $a(EXLCZ)993710000000346488 100 $a20190708d2014 fg 0 101 0 $aeng 135 $aurun#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aDreaming of Cinema $eSpectatorship, Surrealism, and the Age of Digital Media /$fAdam Lowenstein 210 1$aNew York, NY :$cColumbia University Press,$d[2014] 210 4$d©2014 215 $a1 online resource (275 p.) 225 0 $aFilm and Culture Series 300 $aDescription based upon print version of record. 311 $a0-231-16657-5 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIllustrations --$tAcknowledgments --$tIntroduction --$t1. Enlarged Spectatorship --$t2. Interactive Spectatorship --$t3. Globalized Spectatorship --$t4. Posthuman Spectatorship --$t5. Collaborative Spectatorship --$tAfterword --$tNotes --$tBibliography --$tIndex --$tBack matter 330 $aVideo games, YouTube channels, Blu-ray discs, and other forms of "new" media have made theatrical cinema seem "old." A sense of "cinema lost" has accompanied the ascent of digital media, and many worry film's capacity to record the real is fundamentally changing. Yet the Surrealist movement never treated cinema as a realist medium and understood our perceptions of the real itself to be a mirage. Returning to their interpretation of film's aesthetics and function, this book reads the writing, films, and art of Luis Buñuel, Salvador Dalí, Man Ray, André Breton, André Bazin, Roland Barthes, Georges Bataille, Roger Caillois, and Joseph Cornell and recognizes their significance for the films of David Cronenberg, Nakata Hideo, and Atom Egoyan; the American remake of the Japanese Ring (1998); and a YouTube channel devoted to Rock Hudson. Offering a positive alternative to cinema's perceived crisis of realism, this innovative study enriches the meaning of cinematic spectatorship in the twenty-first century. 410 0$aFilm and Culture Series 606 $aMotion picture audiences$gPsychology 606 $aMotion picture audiences 606 $aSurrealism in motion pictures 608 $aElectronic books. 615 0$aMotion picture audiences 615 0$aMotion picture audiences 615 0$aSurrealism in motion pictures 676 $a302.23/43 700 $aLowenstein$b Adam$01047660 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910460931603321 996 $aDreaming of Cinema$92475375 997 $aUNINA