LEADER 03705nam 2200625 450 001 9910460803203321 005 20200520144314.0 010 $a1-78238-501-0 035 $a(CKB)3710000000411328 035 $a(EBL)1707800 035 $a(SSID)ssj0001482424 035 $a(PQKBManifestationID)11830766 035 $a(PQKBTitleCode)TC0001482424 035 $a(PQKBWorkID)11432241 035 $a(PQKB)11636869 035 $a(MiAaPQ)EBC1707800 035 $a(Au-PeEL)EBL1707800 035 $a(CaPaEBR)ebr11052972 035 $a(CaONFJC)MIL782707 035 $a(OCoLC)908670299 035 $a(EXLCZ)993710000000411328 100 $a20150523h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aMusic and international history in the twentieth century /$fedited by Jessica C. E. Gienow-Hecht 210 1$aNew York, [New York] ;$aOxford, [England] :$cBerghahn,$d2015. 210 4$dİ2015 215 $a1 online resource (278 p.) 225 1 $aExplorations in Culture and International History Series ;$vVolume 7 300 $aDescription based upon print version of record. 311 $a1-78238-500-2 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $aMusic and International History in the Twentieth Century; Contents; Illustrations; Acknowledgments; Contributors; Introduction: Sonic History, or Why Music Matters in International History; Part I - Music, International Relations, and the Absence of the State; Chapter One - The Wicked Barrisons; Chapter Two - The International Society for Contemporary Music and Its Political Context (Prague, 1935); Part II - Music, International History, and the State; Chapter Three - Music and International Relations in Occupied Germany, 1945-49 327 $aChapter Four - Instruments of Diplomacy: Writing Music into the History of Cold War International RelationsChapter Five - ""To Reach . . . into the Hearts and Minds of Our Friends"": The United States' Symphonic Tours and the Cold War; Chapter Six - Music Diplomacy in an Emergency: Eisenhower's ""Secret Weapon,"" Iceland, 1954-59; Chapter Seven - Intimate Histories of the Musical Cold War: Fred Prieberg and Igor Blazhkov's Unofficial Diplomacy; Chapter Eight - ""Where I Cannot Roam, My Song Will Take Wing"": Polish Cultural Promotion in Belarus, 1988; Index 330 $a Bringing together scholars from the fields of musicology and international history, this book investigates the significance of music to foreign relations, and how it affected the interaction of nations since the late 19th century. For more than a century, both state and non-state actors have sought to employ sound and harmony to influence allies and enemies, resolve conflicts, and export their own culture around the world. This book asks how we can understand music as an instrument of power and influence, and how the cultural encounters fostered by music changes our ideas about international 410 0$aExplorations in culture and international history series ;$vVolume 7. 606 $aMusic$xPolitical aspects$xHistory$y20th century 606 $aMusic and diplomacy 606 $aMusic and state 608 $aElectronic books. 615 0$aMusic$xPolitical aspects$xHistory 615 0$aMusic and diplomacy. 615 0$aMusic and state. 676 $a7809/.04 702 $aGienow-Hecht$b Jessica C. E.$f1964- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910460803203321 996 $aMusic and international history in the twentieth century$92030167 997 $aUNINA