LEADER 05127nam 2200673 450 001 9910460776003321 005 20210623190515.0 010 $a0-86196-906-5 035 $a(CKB)3710000000411260 035 $a(EBL)2042367 035 $a(SSID)ssj0001481879 035 $a(PQKBManifestationID)12485450 035 $a(PQKBTitleCode)TC0001481879 035 $a(PQKBWorkID)11501732 035 $a(PQKB)10354301 035 $a(OCoLC)607716657 035 $a(MdBmJHUP)muse47616 035 $a(MiAaPQ)EBC2042367 035 $a(Au-PeEL)EBL2042367 035 $a(CaPaEBR)ebr11054749 035 $a(OCoLC)908671670 035 $a(EXLCZ)993710000000411260 100 $a20150527h20152015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 181 $csti$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aExperimental film and video $ean anthology /$fedited by Jackie Hatfield ; picture editor, Stephen Littman 210 1$aNew Bernet, Herts, [England] :$cJohn Libbey Publishing,$d2015. 210 4$dİ2015 215 $a1 online resource (xvii, 283 pages) $cillustrations (some color) 300 $aDescription based upon print version of record. 311 $a0-86196-664-3 320 $aIncludes bibliographical references. 327 $gSection I$tPhilosophies and Critical Histories of Avant-Garde Film and Current Practice$g1 --$gChapter 1$tPost Future Past Perfect /$rGrahame Weinbren$g3 --$gChapter 2$tMatter's Time Time For Material /$rPeter Gidal$g18 --$gChapter 3$tFilms and Installations -- A Systems View of Nature /$rChris Welsby$g26 --$gChapter 4$tA Line Through My Work /$rNicky Hamlyn$g36 --$gChapter 5$tA Few Notes on Filmmaking /$rJayne Parker$g47 --$gChapter 6$tFilm Noise Aesthetics /$rRob Gawthrop$g53 --$gChapter 7$tLine Describing a Cone and Related Films /$rAnthony McCall$g61 --$gSection II$tLanguages of Representation in Film and Video: Thresholds of Materiality$g75 --$gChapter 8$tTrilogical Distractions /$rLis Rhodes$g77 --$gChapter 9$tThe 'autoethnographic' in Chantal Akerman's News from Home, and an Analysis of Almost Out and Stages of Mourning /$rSarah Pucill$g83 --$gChapter 10$tFilm, The Body, The Fold An Interview with Nina Danino on Now I Am Yours /$rNina Danino, Susanna Poole$g93 --$gChapter 11$tAttitudes 1-8 /$rKatherine Meynell$g102 --$gChapter 12$tVideo Works 1973-1983 /$rDavid Critchley$g107 --$gChapter 13$tEarly Video Tapes 1978-1987 /$rChris Meigh-Andrews$g113 --$gChapter 14$tAndrew Kotting. What he does, how he does it and the context in which it has been done: An Alphabetarium of Kotting /$rGareth Evans, Andrew Kotting$g126 --$gChapter 15$tArdent for Some Desperate Glory: Revisiting Smothering Dreams /$rDaniel Reeves$g137 --$gChapter 16$tWar Stories, or Why I Make Videos About Old Soldiers /$rCate Elwes$g151 --$gChapter 17$tMoving Parts: The Divergence of Practice /$rVicky Smith$g163 --$gSection III$tPhilosophies and Critical Histories of Video Art to Cinema$g169 --$gChapter 18$tMutation on a Form /$rKaren Mirza, Brad Butler$g171 --$gChapter 19$tVideo: Incorporeal, Incorporated /$rStephen Partridge$g180 --$gChapter 20$tTamara Krikorian -- Defending the Frontier /$rCate Elwes$g190 --$gChapter 21$tAnother Place -- David Hall /$rJackie Hatfield$g200 --$gChapter 22$tAlchemy and the Digital Imaginary /$rDavid Larcher, interviewed by Stephen Littman$g212 --$gChapter 23$tReflections on My Practice and Media Specificity /$rMalcolm Le Grice$g220 --$gChapter 24$tExpanded Cinema -- Proto, Post-Photo /$rJackie Hatfield$g237 --$gChapter 25$tImage Con Text (1978-2003): Film/Performance/Video/Digital /$rMike Leggett$g246 --$gSection IV$tImages$g263. 330 $aThe past 40 years of technological innovation have significantly altered the materials of production and revolutionized the possibilities for experiment and exhibition. Not since the invention of film has there been such a critical period of major change in the imaging technologies accessible to artists. Bringing together key artists in film, video, and digital media, the anthology of Experimental Film and Video revisits the divergent philosophical and critical discourses of the 1970's and repositions these debates relative to contemporary practice. Forty artists have contributed images, and 25 606 $aExperimental films$xHistory and criticism 606 $aVideo art 606 $aPERFORMING ARTS$xFilm & Video$xHistory & Criticism$2bisacsh 606 $aExperimental films$2fast$3(OCoLC)fst00918452 606 $aVideo art$2fast$3(OCoLC)fst01166389 608 $aElectronic books. 615 0$aExperimental films$xHistory and criticism. 615 0$aVideo art. 615 7$aPERFORMING ARTS$xFilm & Video$xHistory & Criticism. 615 7$aExperimental films. 615 7$aVideo art. 676 $a791.43611 702 $aHatfield$b Jackie 702 $aLittman$b Stephen 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910460776003321 996 $aExperimental Film and Video$91703886 997 $aUNINA