LEADER 03666nam 2200637 450 001 9910460756303321 005 20210505234844.0 010 $a0-691-64962-6 010 $a0-691-06128-9 010 $a1-4008-7940-X 024 7 $a10.1515/9781400879403 035 $a(CKB)3710000000497756 035 $a(EBL)4071009 035 $a(MiAaPQ)EBC4071009 035 $a(OCoLC)966791067 035 $a(MdBmJHUP)muse49551 035 $a(DE-B1597)468581 035 $a(OCoLC)979584471 035 $a(DE-B1597)9781400879403 035 $a(Au-PeEL)EBL4071009 035 $a(CaPaEBR)ebr11211440 035 $a(CaONFJC)MIL846723 035 $a(OCoLC)951064748 035 $a(EXLCZ)993710000000497756 100 $a20160606h19671963 uy 0 101 0 $aeng 135 $aurnnu---|u||u 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aT. S. Eliot's dramatic theory and practice $efrom Sweeney Agonistes to the elder statesman /$fby Carol H. Smith 210 1$aPrinceton, New Jersey :$cPrinceton University Press,$d1967. 210 4$dİ1963 215 $a1 online resource (264 p.) 225 1 $aPrinceton Legacy Library 300 $aDescription based upon print version of record. 311 $a0-691-62291-4 311 $a0-691-01286-5 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tPreface --$tContents --$tChapter I. The Pursuit of Order --$tChapter II. Sweeney Agonistes --$tChapter III. The Rock and Murder in The Cathedral --$tChapter IV. The Family Reunion --$tChapter V. The Cocktail Party --$tChapter VI. The Confidential Clerk --$tChapter VII. The Elder Statesman --$tBibliography --$tIndex 330 $aAlthough there have been innumerable studies of T. S. Eliot, this is the first to examine closely the changes in his dramatic practice and to relate them to his artistic and intellectual development. Professor Smith finds Eliot's dramatic theory rooted in his conception of the need for order in religion and art; she traces this concept as it evolved from the overtly religious The Rock and Murder in the Cathedral through such symbolic drawing-room plays as The Family Reunion, The Cocktail Party, and The Confidential Clerk, to Eliot's latest study of human and divine love in The Elder Statesman. Carol H. Smith explores Eliot's interest in the jazz rhythms of the English music hall, in the mythical method of Yeats and Joyce, and in the work of the Cambridge School of Classical Anthropology. Originally published in 1963.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. 410 0$aPrinceton legacy library. 606 $aDrama$xHistory and criticism$xTheory, etc 606 $aVerse drama, American$xHistory and criticism 608 $aElectronic books. 615 0$aDrama$xHistory and criticism$xTheory, etc. 615 0$aVerse drama, American$xHistory and criticism. 676 $a822.912 700 $aSmith$b Carol H.$0565508 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910460756303321 996 $aT. S. Eliot's dramatic theory and practice$91045563 997 $aUNINA