LEADER 04625nam 2200649 450 001 9910460725703321 005 20200520144314.0 010 $a1-118-47548-8 010 $a1-118-47538-0 035 $a(CKB)3710000000391793 035 $a(EBL)2006078 035 $a(OCoLC)907694771 035 $a(SSID)ssj0001460253 035 $a(PQKBManifestationID)12524077 035 $a(PQKBTitleCode)TC0001460253 035 $a(PQKBWorkID)11465616 035 $a(PQKB)11684182 035 $a(MiAaPQ)EBC2006078 035 $a(MiAaPQ)EBC4035678 035 $a(DLC) 2015005891 035 $a(Au-PeEL)EBL2006078 035 $a(CaPaEBR)ebr11041418 035 $a(CaONFJC)MIL769822 035 $a(OCoLC)903436728 035 $a(EXLCZ)993710000000391793 100 $a20150416h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aVideo art theory $ea comparative approach /$fHelen Westgeest 210 1$aChichester, England :$cWiley Blackwell,$d2016. 210 4$dİ2016 215 $a1 online resource (222 p.) 300 $aDescription based upon print version of record. 311 $a1-118-47546-1 311 $a1-118-47544-5 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $a""Video Art Theory""; ""Contents""; ""Acknowledgments""; ""Introduction""; ""Key characteristics of video art""; ""Problem of general characterization of video art""; ""Medium as a concept and the comparative and interdisciplinary approach of media""; ""Historiography of video art""; ""Classification and selection of video artworks""; ""Literature on video art""; ""References""; ""1 Immediacy versus Memory: Video Art in Relation to Television, Performance Art, and Home Video""; ""Gillian Wearinga???s Trauma (2000) Juxtaposed to Joan Jonasa???s Vertical Roll (1972)"" 327 $a""Video Art Dealing with the Constant Movements of Audio-Visual Electronic Media, and the Immediacy and Socio-Cultural Aspects of Television""""From television and audiotape to videotape: Dynamic images interwoven with sounds""; ""Socio-cultural aspects of television interrogated by video art""; ""The Appeal of Immediacy: Video in Performance Art and Performance in Video Art""; ""Video performance defined as the use of video in performances""; ""Video performance defined as substitute for a live event""; ""Video as documentation of performances"" 327 $a""The Application of the Mnemonic Ability of Video and the Relationship with Activist-Videos and Home Video""""Video as social documentation and recording tool in activism""; ""Video art and collective memory""; ""Home video as mnemonic device""; ""Notes""; ""References""; ""2 Immateriality versus Three-Dimensionality: Video Art as Sculpture, Installation Art, Projection, and Virtual Medium""; ""Lynn Hershmana???s Tillie the Telerobotic Doll (1995) Juxtaposed to Andy Warhola???s Outer and Inner Space (1965)""; ""Television as an Object: Sculpture or Part of Architecture"" 327 $a""Theory of boredom""""Video Art and Drawing""; ""Video Art and Painting""; ""Color in video art and the relationship between painting and avant-garde films""; ""Notes""; ""References""; ""4 Repetition and Fragmentation in Narrative: Videoa???s Appropriation and Subversion of Classical Cinema""; ""Candice Breitza???s Mother + Father (2005) Juxtaposed to Rodney Grahama???s Vexation Island (1997) and Keren Cyttera???s Corrections (2013)""; ""Aspects of Narrative in Video Art Reacting to Hollywood Films, and Views on Compulsive Repetition""; ""Theories on narrative applied to the three key works"" 327 $a""Compulsive repetition"" 330 $aHelen Westgeest is Assistant Professor of Modern and Contemporary Art History at Leiden University, the Netherlands. Her most recent publication is Photography Theory in Historical Perspective: Case Studies from Contemporary Art (co-authored with Hilde Van Gelder, Wiley-Blackwell, 2011). Westgeest is also editor and a contributor of Take Place: Photography and Place from Multiple Perspectives (2009) and joint editor of Photography between Poetry and Politics (with Hilde Van Gelder, 2008). 606 $aVideo art 608 $aElectronic books. 615 0$aVideo art. 676 $a777 700 $aWestgeest$b Helen$f1958-$0974493 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910460725703321 996 $aVideo art theory$92218627 997 $aUNINA