LEADER 03184nam 2200697 450 001 9910460719603321 005 20200520144314.0 010 $a3-11-034556-0 010 $a3-11-038035-8 024 7 $a10.1515/9783110345568 035 $a(CKB)3710000000392990 035 $a(EBL)1787188 035 $a(SSID)ssj0001458054 035 $a(PQKBManifestationID)11903468 035 $a(PQKBTitleCode)TC0001458054 035 $a(PQKBWorkID)11444212 035 $a(PQKB)11704054 035 $a(DE-B1597)246316 035 $a(OCoLC)909907886 035 $a(DE-B1597)9783110345568 035 $a(MiAaPQ)EBC1787188 035 $a(Au-PeEL)EBL1787188 035 $a(CaPaEBR)ebr11049456 035 $a(CaONFJC)MIL807583 035 $a(EXLCZ)993710000000392990 100 $a20141103h20152015 uy| 0 101 0 $aeng 135 $aur|nu---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aArt, agency and living presence $efrom the animated image to the excessive object /$fCaroline van Eck 210 1$aBoston :$cDe Gruyter,$d[2015] 210 4$dİ2015 215 $a1 online resource (292 p.) 225 1 $aStudien aus dem Warburg-Haus ;$vBand 16 300 $aDescription based upon print version of record. 311 $a3-11-034557-9 311 $a3-11-034541-2 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgements --$tIntroduction --$tEnargeia --$tAgency --$tMemory --$tIdolatry --$tFetishism --$tAesthetic Ambivalence --$tFarming, Staging and Acting Living Presence --$tThe Afterlife of Art --$tEpilogue: From the Animated Image to the Excessive Object --$tNotes --$tBibliography --$tList of Illustrations --$tIndex --$tBackmatter 330 $aDas Kunstwerk als lebendiges Wesen ? eine grundlegende Studie 330 $aThroughout history, and all over the world, viewers have treated works of art as if they are living beings: speaking to them, falling in love with them, kissing or beating them. Although over the past 20 years the catalogue of individual cases of such behavior towards art has increased immensely, there are few attempts at formulating a theoretical account of them, or writing the history of how such responses were considered, defined or understood. That is what this book sets out to do: to reconstruct some crucial chapters in the history of thought about such reflections in Western Europe, and to offer some building blocks towards a theoretical account of such responses, drawing on the work of Aby Warburg and Alfred Gell. 410 0$aStudien aus dem Warburg-Haus ;$vBd. 16. 606 $aArt$xPsychological aspects 606 $aArt appreciation 606 $aArt and society 608 $aElectronic books. 615 0$aArt$xPsychological aspects. 615 0$aArt appreciation. 615 0$aArt and society. 676 $a701/.15 686 $aLH 61045$2rvk 700 $aEck$b Caroline van$0698250 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910460719603321 996 $aArt, agency and living presence$92478594 997 $aUNINA