LEADER 03900nam 2200685 450 001 9910460719503321 005 20210505215250.0 010 $a1-4008-7921-3 024 7 $a10.1515/9781400879212 035 $a(CKB)3710000000529172 035 $a(EBL)4070972 035 $a(SSID)ssj0001572647 035 $a(PQKBManifestationID)16219686 035 $a(PQKBTitleCode)TC0001572647 035 $a(PQKBWorkID)14601776 035 $a(PQKB)11296104 035 $a(MiAaPQ)EBC4070972 035 $a(OCoLC)950749180 035 $a(MdBmJHUP)muse49558 035 $a(DE-B1597)468562 035 $a(OCoLC)1013963351 035 $a(OCoLC)957504311 035 $a(DE-B1597)9781400879212 035 $a(Au-PeEL)EBL4070972 035 $a(CaPaEBR)ebr11200143 035 $a(CaONFJC)MIL846694 035 $a(OCoLC)936855022 035 $a(EXLCZ)993710000000529172 100 $a20160419h19691969 uy 0 101 0 $aeng 135 $aurnnu---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aStyle in Hamlet /$fMaurice Charney 210 1$aPrinceton, New Jersey :$cPrinceton University Press,$d1969. 210 4$dİ1969 215 $a1 online resource (356 p.) 225 1 $aPrinceton Legacy Library 300 $aIncludes index. 311 0 $a0-691-06148-3 311 0 $a0-691-62175-6 320 $aBibliographical footnotes. 327 $tFront matter --$tAcknowledgments --$tContents --$tKey to References --$tIntroduction --$tPART ONE. IMAGERY --$t1. War, Weapons, and Explosives --$t2. Secrecy and Poison --$t3. Corruption --$t4. Limits --$t5. Art, Acting, and the Theater --$tPART TWO. STAGING AND STRUCTURE --$t6. Gesture and Stage Action --$t7. Sound Effects and Music, Costumes, and Stage Properties --$t8. "The Very Cunning of the Scene" --$tPART THREE. DRAMATIC CHARACTER --$t9. Claudius: "Break not your sleeps for that" --$t10. Polonius: " 'Beautified' is a vile phrase"- " 'Mobled queen' is good" --$t11. Hamlet: 'How pregnant sometimes his replies are" --$tConclusion --$tIndex 330 $aShakespeare intended his plays to be seen, not read. With this thought uppermost in mind, Charney offers here a provocative analysis of Hamlet, the most stylistically inventive of all Shakespeare's plays, strictly in terms of its style-by which he means the distinct modes of expression used by the playwright in accomplishing his dramatic ends. Careful consideration is given to the stagecraft of the play, to lighting and sound effects, gesture and scenery. The play's imagery is discussed with attention to its style as well as to its content. Each of the three main characters is examined in terms of his unique mode of expression. Among the interesting discoveries this approach allows is a new perspective on the character of Hamlet, who is found to have four distinct styles which he employs as the occasion demands. Originally published in 1969.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. 410 0$aPrinceton legacy library. 606 $aHamlet (Legendary character) 606 $aTragedy 608 $aElectronic books. 615 0$aHamlet (Legendary character) 615 0$aTragedy. 676 $a822.3/3 700 $aCharney$b Maurice$0440412 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910460719503321 996 $aStyle in "Hamlet"$9184819 997 $aUNINA