LEADER 03505nam 2200709 450 001 9910460712603321 005 20200520144314.0 010 $a0-8047-9700-5 024 7 $a10.1515/9780804797009 035 $a(CKB)3710000000497855 035 $a(EBL)4414759 035 $a(SSID)ssj0001569998 035 $a(PQKBManifestationID)16221099 035 $a(PQKBTitleCode)TC0001569998 035 $a(PQKBWorkID)14807828 035 $a(PQKB)10828764 035 $a(MiAaPQ)EBC4414759 035 $a(DE-B1597)563906 035 $a(DE-B1597)9780804797009 035 $a(Au-PeEL)EBL4414759 035 $a(CaPaEBR)ebr11176372 035 $a(OCoLC)927405286 035 $a(OCoLC)1178770004 035 $a(EXLCZ)993710000000497855 100 $a20150729h20162016 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aColored television $eAmerican religion gone global /$fMarla F. Frederick 210 1$aStanford, California :$cStanford University Press,$d[2016] 210 4$dİ2016 215 $a1 online resource (257 p.) 225 1 $aRaceReligion 300 $aDescription based upon print version of record. 311 $a0-8047-9698-X 311 $a0-8047-9094-9 320 $aIncludes bibliographical references (pages 205-223) and index. 327 $a"Jamaica, land we love" -- Religious dandyism : prosperity and performance in Black televangelism -- Relative prosperity : lived religion in the "dying field" -- Female televangelists and the gospel of sexual redemption -- Redeeming sexuality -- Distributing the message : globalization and the spread of Black televangelism -- Conclusion : voices of the next generation. 330 $aThe presence of women and African Americans not simply as viewers, but also as televangelists and station owners in their own right has dramatically changed the face of American religious broadcasting in recent decades. Colored Television looks at the influence of these ministries beyond the United States, where complex gospels of prosperity and gospels of sexual redemption mutually inform one another while offering hopeful yet socially contested narratives of personal uplift. As an ethnography, Colored Television illuminates the phenomenal international success of American TV preachers like T.D. Jakes, Creflo Dollar, Joyce Meyer, and Juanita Bynum. Focusing particularly on Jamaica and the Caribbean, it also explores why the genre has resonated so powerfully around the world. Investigating the roles of producers, consumers, and distributors, Marla Frederick takes a unique look at the ministries, the communities they enter, and the global markets of competition that buffer them. 410 0$aRaceReligion. 606 $aTelevision in religion$zUnited States 606 $aAfrican American evangelists 606 $aWomen evangelists$zUnited States 606 $aTelevision broadcasting, American 607 $aUnited States$xReligion$y1960- 608 $aElectronic books. 615 0$aTelevision in religion 615 0$aAfrican American evangelists. 615 0$aWomen evangelists 615 0$aTelevision broadcasting, American. 676 $a269/.2608996 686 $aAP 39383$2rvk 700 $aFrederick$b Marla Faye$f1972-$01036173 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910460712603321 996 $aColored television$92456350 997 $aUNINA