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200 12$aA commentary on Shakespeare's Richard III /$fWolfgang Clemen
210 1$aOxon [England] :$cRoutledge,$d2005.
215 $a1 online resource (270 p.)
225 1 $aRoutledge library editions. Shakespeare : critical studies ;$v8
225 0$aRoutledge library editions.$pShakespeare
300 $aFirst published in 1968.
311 $a0-415-35279-7
311 $a1-299-99702-3
327 $aCover; A COMMENTARY ON SHAKESPEARE'S RICHARD III; Original Title Page; Original Copyright Page; Title Page; Copyright Page; Table of Contents; PREFATORY NOTE; INTRODUCTION; Act I; SCENE ONE; General Structure; The Opening Soliloquy; The Pre-Shakespearian Opening Soliloquy; Dialogue-Technique in the Episodes with Clarence and Hastings; Forms of Irony in I, i; The Language of the Dialogue; Richard's Soliloquies; Exposition within the Scene; SCENE TWO; Anne's Soliloquy; The Address as a Means of Irony; Anne's Speech of Imprecation; The Technique of the Dialogue; Richard's Tactics
327 $aThe 'Conversion-Speech'Psychological Development; Richard's Concluding Soliloquy; Conversion-Scenes and Wooing-Scenes in Pre-Shakespearian Drama; SCENE THREE; Structure; The Opening Episodes; Richard's Entry and Behaviour; Richard's Use of Language; Margaret; Margaret and the Stage Action; Simultaneous Staging in Pre-Shakespearian Drama; Linguistic Structure; Richard as the Instrument of Nemesis; Past and Future Dramatically Portrayed; The Curses; Curses in Pre-Shakespearian Drama; Warnings and Prophecies; Margaret's Final Curse; Richard's Soliloquy; The Interlude with the Murderers
327 $aIncitement to Murder in Pre-Shakespearian DramaSCENE FOUR; The 'Self-Contained' Scene in Shakespeare's Plays; The Place of the Scene in the Dramatic Structure; The Composition of the Scene; Clarence's Dream; The Journey to the Underworld; Comparison with Richard's Dream in V, iii; Dramatization of the Dream-Narrative; The Dream: Language and Versification; Dreams in Pre-Shakespearian Drama; Brakenbury's Monologue; The Murder-Scene; The Conversation on Conscience; The Dialogue with Clarence; Murder-Scenes in Pre-Shakespearian Drama; Act II; SCENE ONE; The Reconciliation-Scene
327 $aTechnique of RepetitionIrony and Ambiguity; Richard's Entry; The Derby-Episode as a 'Mirror-Scene'; The King's Final Speech; SCENE TWO; The Opening: The Children; Children in Elizabethan Drama; The Lament; Richard's Entry; Buckingham's Speech; SCENE THREE; The Time-Element in Richard III; II, iii as a Choric Scene; II, iii as a Mirror-Scene; Structure and Themes; Anticipation and Foreboding; The Use of Proverbs; Recurrent Key-Words; SCENE FOUR; Portrayal of Richard; References to Time and Place; Dialogue-Technique; The Messenger; Language and Style of the Passionate Rhetorical Speech; Act III
327 $aSCENE ONEStructure of the Scene; The Arrival in London; The Discussion of Sanctuary; The Discussion about Caesar; Richard and the Figure of Vice; The Talk with York; Forms of Irony; Versification; Final Section; SCENE TWO; The Messenger's Entry; Stanley's Dream; The Catesby-Episode: Ironic Contrast; The Tower as a Scene of Action; SCENE THREE; Treatment of a Minor Episode; The Spectacle and the Text; Turning-Point in the Action; SCENE FOUR; Hastings' Ro?le and Dramatic Irony; Richard's Entry; The Reversal of the Situation; Hastings' Epilogue; Scene-Endings in Richard III; SCENE FIVE
327 $aContrast as a Structural Element
330 $aFirst published in 1968.
Providing a detailed and rigorous analysis of Richard III, this Commentary reveals every nuance of meaning whilst maintaining a firm grasp on the structure of the play. The result is an outstanding lesson in the methodology of Shakespearian criticism as well as an essential study for students of the early plays of Shakespeare.
410 0$aRoutledge library editions.$pShakespeare ;$v8.
606 $aKings and rulers in literature
607 $aGreat Britain$xIn literature
608 $aElectronic books.
615 0$aKings and rulers in literature.
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200 10$aI bless you in my heart $eselected correspondence of Catharine Parr Traill /$fedited by Carl Ballstadt, Elizabeth Hopkins, and Michael A. Peterman
210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d1996.
210 4$dİ1996
215 $a1 online resource (456 p.)
225 0 $aHeritage
300 $aIncludes index.
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320 $aIncludes bibliographical references (pages [415]-416) index.
327 $tFrontmatter -- $tContents -- $tIllustrations -- $tPreface -- $tAcknowledgments -- $tChronology -- $tAbbreviations -- $tI. 1830-1859: ?The changes and chances of a settler?s life? -- $tII. 1860-1884: ?The poor country mouse? -- $tIII. 1885-1899: ?The sight of green things is life to me? -- $tGenealogies -- $tSources of Letters and Illustrations -- $tIndex
330 $aThough her life was largely circumscribed by domesticity and poverty both in England and in Canada, Catharine Parr Traill?s interests, experiences, and contacts were broad and various. Her contribution to our knowledge of nineteenth-century Canadian life, from a literary, historical, and scientific perspective, was significant. Chosen from her nearly 500 extant letters, the 136 presented here vividly reflect typical aspects of social and family life, attachments to the Old World, health and medical conditions, travel, religious faith and practice, the stresses of settlement in Upper Canada in the 1830s, and the dispersal of families with the opening up of the Canadian and American West. Spanning seventy years, the letters are presented in three sections, each prefaced by an introductory essay. The first, ?1830?1859: ?The changes and chances of a settler?s life,?? traces Traill?s story from her emergence as one of the literary Strickland sisters in England, through the difficult, poverty-stricken years of settlement and family raising in Canada, to her husband?s death. The second, ?1860?1884: ?The poor country mouse,?? reveals her quiet life at Westove (her cottage at Lakefield), her devotion to family and friends, and the time she spent writing botanical essays and seeking a publisher for them. A trip to Ottawa in 1884 awakened her to a recognition of the literary stature she had earned. The third section, ?1885?1899: ?The sight of green things is life to me,?? begins with the publication of her Studies of Plant Life in Canada and sheds light on the public recognition she received, her continuing literary productivity, and the strengthening of her role as matriarch of the Strickland family in Canada. It closes with her death on 29 August 1899. Together with the introductory essays, Traill?s correspondence offers an intimate and revealing portrait of a courageous, caring, and remarkable woman?mother, pioneer, writer, and botanist.
606 $aFrontier and pioneer life$zOntario
606 $aWomen pioneers$zOntario$vCorrespondence
606 $aPioneers$zOntario$vCorrespondence
607 $aOntario$xSocial life and customs
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