LEADER 02860nam 2200577 450 001 9910460635703321 005 20170822113933.0 010 $a1-61149-535-0 035 $a(CKB)3710000000335331 035 $a(EBL)1913802 035 $a(SSID)ssj0001402833 035 $a(PQKBManifestationID)12605310 035 $a(PQKBTitleCode)TC0001402833 035 $a(PQKBWorkID)11361433 035 $a(PQKB)11184378 035 $a(MiAaPQ)EBC1913802 035 $a(EXLCZ)993710000000335331 100 $a20141028h20152015 ub| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aRepresentation, heterodoxy, and aesthetics $eessays in honor of Ronald Paulson /$fedited by Ashley Marshall 210 1$aNewark :$cUniversity of Delaware Press,$d[2015] 210 4$dİ2015 215 $a1 online resource (275 p.) 300 $aDescription based upon print version of record. 311 $a1-322-64349-0 311 $a1-61149-534-2 320 $aIncludes bibliographical references and index. 327 $aTitle Page; List of Illustrations; Paulson's Progress; Literature; Congreve and Swift; Reading Richardson /Richardson Reading; Art; Limits to the Artist's Role as Social Commentator: Zoffany's Condemnation of Hogarth and Gillray; On Edward Pugh and Mourning; G. M. Woodward's Coffee-House Characters; Society; The Problem of Empire: Adam Smith Tries to Draw a Line; Civil and Religious Liberty in Seventeenth-Century England: A Case Study in Secularization; Media and Method; Mixed Media Forever; Ronald Paulson's Heterodox View of Eighteenth-Century Literature and Art 327 $aBibliography of the Works of Ronald PaulsonBibliography; Index; About the Contributors 330 $aThis book is a wide-ranging study of British literature and art from the late seventeenth through the early nineteenth centuries, one that stresses the connections between visual and verbal representation. Key emphases of the book include aesthetics, the aims and motives of individual producers of culture, evolving modes of satire, and the crucial connections between high and low art, the polite and the popular.
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