LEADER 04498nam 2200673 450 001 9910460502203321 005 20200520144314.0 010 $a1-4426-8629-4 024 7 $a10.3138/9781442686298 035 $a(CKB)3710000000356553 035 $a(EBL)3297001 035 $a(SSID)ssj0001436739 035 $a(PQKBManifestationID)12538841 035 $a(PQKBTitleCode)TC0001436739 035 $a(PQKBWorkID)11442564 035 $a(PQKB)11369067 035 $a(MiAaPQ)EBC4672458 035 $a(CEL)433555 035 $a(OCoLC)905361886 035 $a(CaBNVSL)slc00235515 035 $a(MiAaPQ)EBC3297001 035 $a(DE-B1597)464107 035 $a(OCoLC)1013952325 035 $a(OCoLC)944176969 035 $a(DE-B1597)9781442686298 035 $a(Au-PeEL)EBL4672458 035 $a(CaPaEBR)ebr11258125 035 $a(OCoLC)958565228 035 $a(EXLCZ)993710000000356553 100 $a20160923h20032003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBetween Renaissance and Baroque $eJesuit art in Rome, 1565-1610 /$fGauvin Alexander Bailey 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2003. 210 4$d©2003 215 $a1 online resource (515 p.) 225 0 $aHeritage 311 $a0-8020-3721-6 311 $a1-4426-1030-1 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $t1. Introduction: A Time without Art? -- $t2. The Novitiate of S. Andrea al Quirinale -- $t3. The Novitiate Infirmary -- $t4. The Jesuit Collegiate Foundations of the Collegio Romano, the Seminario Romano, and the German-Hungarian College -- $t5. The Collegiate Church of S. Tommaso di Canterbury and the Novitiate Church of S. Vitale -- $t6. The Church of the Gesù in Rome: Documents -- $t7. The Church of the Gesù in Rome: Description and Interpretation -- $t8. Conclusion: A New Sacred Art for a New Era -- $tNotes -- $tBibliography -- $tIndex 330 $aBetween Renaissance and Baroque is a stunning achievement ? the first book to be written about the original painting commissions of the Jesuits in Rome. Offering a uniquely comprehensive and comparative analysis of the paintings and stuccoes which adorned all of the Jesuit foundations in the city during their first half century of existence, the study treats some of the most crucial monuments of late Renaissance painting including the original decorations of the church of the Gesù and the Collegio Romano, and the martyrdom frescoes at S. Stefano Rotondo.Based on extensive new archival research from Rome, Florence, Parma, and Perugia, Gauvin Alexander Bailey's study presents an original, revisionist treatment of Italian painting in the last four decades of the sixteenth century, a critical transitional period between Renaissance and Baroque. Bailey relates the Jesuit painting cycles to the great religious and intellectual climate of the period, isolates the new stylistic trends which appeared after the Council of Trent, and looks at the different ways in which artists met the challenges for devotional art made by the religious climate of the post-Tridentine period.Bailey also succeeds in providing the first ever written reconstructions of the Jesuit churches of S. Tommaso di Canterbury, S. Saba, and S. Apollinare, and the original novitiate complex of S. Andrea al Quirinale, the site of the most complex and original hospital decoration in late Renaissance Italy. Through these reconstructions, Bailey sheds new light on such works as Louis Richeôme's meditation manual on the paintings at S. Andrea, Le peinture spirituelle, a lively and detailed treatise on late Renaissance art that has never before been the subject of a thorough study. Ultimately, Bailey provides us with a new understanding of the stylistic and iconographic strands which shortly afterward were woven together to form the Baroque. 606 $aArt, Italian$zItaly$zRome$y16th century 606 $aJesuit art$zItaly$zRome 608 $aElectronic books. 615 0$aArt, Italian 615 0$aJesuit art 676 $a704.9/482/09456309031 700 $aBailey$b Gauvin A.$0674399 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910460502203321 996 $aBetween Renaissance and Baroque$91421609 997 $aUNINA