LEADER 03369nam 2200589 450 001 9910460484203321 005 20200520144314.0 010 $a0-231-53907-X 024 7 $a10.7312/josh16960 035 $a(CKB)3710000000354209 035 $a(EBL)1922341 035 $a(StDuBDS)EDZ0001133104 035 $a(MiAaPQ)EBC1922341 035 $a(DE-B1597)458380 035 $a(OCoLC)979776821 035 $a(DE-B1597)9780231539074 035 $a(Au-PeEL)EBL1922341 035 $a(CaPaEBR)ebr11022723 035 $a(CaONFJC)MIL733429 035 $a(OCoLC)903674745 035 $a(EXLCZ)993710000000354209 100 $a20150302h20152015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aBollywood's India $ea public fantasy /$fPriya Joshi 210 1$aChichester, [England] :$cColumbia University Press,$d2015. 210 4$dİ2015 215 $a1 online resource (214 p.) 300 $aDescription based upon print version of record. 311 $a0-231-16961-2 320 $aIncludes bibliographical references, filmography and index. 327 $tFront matter --$tContents --$tList of Illustrations and Tables --$tAcknowledgments --$tPreface. The Social Work Of Cinema --$t1. Bollywood's India --$t2. Cinema as Public Fantasy --$t3. Cinema as Family Romance --$t4. Bollywood, Bollylite --$tEpilogue: Anthem for a New India --$tNotes --$tFilmography --$tBibliography --$tIndex 330 $aBollywood is India's most popular entertainment and one of its most powerful social forces. Its blockbusters contest ideas about state formation, capture the nation's dispersed anxieties, and fabricate public fantasies of what constitutes "India." Written by an award-winning scholar of popular culture and postcolonial modernity, Bollywood's India analyzes the role of the cinema's most popular blockbusters in making, unmaking, and remaking modern India. With dazzling interpretive virtuosity, Priya Joshi provides an interdisciplinary account of popular cinema as a space that filters politics and modernity for its viewers. Themes such as crime and punishment, family and individuality, vigilante and community capture the diffuse aspirations of an evolving nation. Summoning India's tumultuous 1970's as an interpretive lens, Joshi reveals the cinema's social work across decades that saw the decline of studios, the rise of the multi-starrer genre, and the arrival of corporate capital and new media platforms. In elegantly crafted studies of iconic and less familiar films, including Awara (1951), Ab Dilli Dur Nahin (1957), Deewaar (1975), Sholay (1975), Dil Se (1998), A Wednesday (2008), and 3 Idiots (2009), Joshi powerfully conveys the pleasures and politics of Bollywood blockbusters. 606 $aMotion pictures$zIndia$xHistory$y20th century 606 $aMotion pictures$zUnited States$xHistory$y20th century 607 $aIndia$xIn motion pictures 608 $aElectronic books. 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xHistory 676 $a791.43/0954 700 $aJoshi$b Priya$0451755 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910460484203321 996 $aBollywood's India$92466384 997 $aUNINA