LEADER 00981nam0 22002531i 450 001 SUN0056946 005 20180426111448.833 010 $a04-7100-546-0 100 $a20061211d1988 |0engc50 ba 101 $aeng 102 $aUS 105 $a|||| ||||| 200 1 $aGeotechnical instrumentation for monitoring field performance$fJohn Dunnicliff, with the assistance of Gordon E. Green 210 $aNew York [etc.]$cWiley$d1988 215 $aXX, 577 p.$cill.$d28 cm. 620 $aUS$dNew York$3SUNL000011 700 1$aDunnicliff$b, John$3SUNV045144$0543793 702 1$aGreen$b, Gordon E.$3SUNV045145 712 $aWiley$3SUNV000201$4650 801 $aIT$bSOL$c20201005$gRICA 912 $aSUN0056946 950 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI INGEGNERIA$d05CONS G V 005 $e05 1153 20061211 996 $aGeotechnical instrumentation for monitoring field performance$91424380 997 $aUNICAMPANIA LEADER 03488nam 2200517 450 001 9910460477003321 005 20180613002904.0 010 $a1-4729-3257-9 035 $a(CKB)3710000000563154 035 $a(EBL)4312950 035 $a(MiAaPQ)EBC4312950 035 $a(EXLCZ)993710000000563154 100 $a20160118h20162010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aRSPB guide to digital wildlife photography /$fDavid Tipling 205 $aSecond edition. 210 1$aLondon, [England] :$cA & C Black,$d2016. 210 4$dİ2010 215 $a1 online resource (178 p.) 225 1 $aRSPB 300 $aIncludes index. 311 $a1-4081-3714-3 327 $aCover; Half-title; Title; Copyright; Contents; Introduction; 1 Getting started; Digital capture; What type of camera do I need?; Batteries; Lens choice; Macro photography; Case study: Macro photography; Tripods and heads; Digiscoping; Mobile phones; Digital film; Computers; Digital storage; Taking care of your equipment; 2 Taking pictures; Setting up the DSLR; Image formats - JPEG, RAW, TIFF; RAW versus JPEG; The pros and cons of each format; White balance; Colour temperature; Colour space; Sharpening; Noise reduction; f-stops and shutter speeds : understanding exposure; The lens aperture 327 $aThe camera's shutter speedSensor sensitivity; Histograms; Getting the correct exposure; Using your camera's different light metering modes; Using flash effectively; Case study: Otters, Shetland, Scotland; 3 Field techniques; Research; Getting to know your subject; Wildlife tours; Getting close; Approaching on foot; Wait and see; Case study: Photographing hares; Using a vehicle as a mobile hide; Feeding sites; Case study: A bird feeding station; Water attractions; Tape luring and using noises; Being invisible; Case study: A roadside puddle; Hides; Setting up hides (blinds); Using the hide 327 $aInterpolationSharpening the image; Captioning; Image enhancement on a budget; 8 Storage and back-up; Filing images; 9 Printing and scanning; Choosing a printer; Printer calibration; Inks and paper; Resolution and print sizing; Scanning; Case study: Shooting for reproduction in black and white; Case study: Displaying your images; 10 Making videos with a DSLR; Keeping a steady camera; Choosing the movie size you need; Editing your movies; 11 Telling a story in pictures; Case study: Brown Bears, Katmai, Alaska; Case study: Dolphins, Roatan, Honduras; Case study: Telling a story in just one image 327 $a12 The business of wildlife photographyChoosing a stock agent; Marketing your own work; Useful websites and addresses; Acknowledgements; Index 330 $aThis is the ultimate reference book for all aspiring and established natural history photographers, and will equip its readers with everything they need to know to help them take better digital wildlife photographs. 410 0$aRSPB 606 $aWildlife photography 606 $aPhotography$xDigital techniques 608 $aElectronic books. 615 0$aWildlife photography. 615 0$aPhotography$xDigital techniques. 676 $a778.932 700 $aTipling$b David$0928092 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910460477003321 996 $aRSPB guide to digital wildlife photography$92085675 997 $aUNINA