LEADER 01165nam0 2200313 i 450 001 SUN0133381 005 20210417120827.424 010 $d0.00 017 70$2N$a978-3-642-54083-7 100 $a20210412d2015 |0engc50 ba 101 $aeng 102 $aDE 105 $a|||| ||||| 200 1 $a*Extragalactic Astronomy and Cosmology$ean Introduction$fPeter Schneider 205 $a2. ed 210 $aBerlin$aHeidelberg$cSpringer$d2015 215 $axviii, 626 p.$cill.$d24 cm 606 $a85-XX$xAstronomy and Astrophysics [MSC 2020]$2MF$3SUNC023246 606 $a85A40$xCosmology [MSC 2020]$2MF$3SUNC023267 620 $dBerlin$3SUNL000066 620 $aDE$dHeidelberg$3SUNL000282 700 1$aSchneider$b, Peter$3SUNV107117$0350808 712 $aSpringer$3SUNV000178$4650 801 $aIT$bSOL$c20210426$gRICA 856 4 $uhttp://doi.org/10.1007/978-3-642-54083-7 912 $aSUN0133381 950 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI MATEMATICA E FISICA$d08CONS e-book 2234 $e08eMF2234 20210412 996 $aExtragalactic Astronomy and Cosmology$91771406 997 $aUNICAMPANIA LEADER 04277nam 2200553 450 001 9910460385703321 005 20190826145055.0 010 $a90-04-28969-0 024 7 $a10.1163/9789004289697 035 $a(CKB)3710000000417890 035 $a(MiAaPQ)EBC2076199 035 $a(OCoLC)911912958$z(OCoLC)911045883$z(OCoLC)912238524 035 $a(nllekb)BRILL9789004289697 035 $a(EXLCZ)993710000000417890 100 $a20150711h20152015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aReceptions of antiquity, constructions of gender in European art, 1300-1600 /$fedited by Marice Rose and Alison C. Poe 210 1$aLeiden, The Netherlands ;$aBoston, Massachusetts :$cKoninklijke Brill,$d2015. 210 4$d©2015 215 $a1 online resource (483 pages) $cillustrations 225 1 $aMetaforms: studies in the reception of classical antiquity,$x2212-9405 ;$vVolume 3 311 $a90-04-27874-5 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material /$rMarice Rose and Alison C. Poe -- $tIntroduction: Classical Reception, Gender Studies, and Art History /$rMarice Rose and Alison C. Poe -- $t1: Cross-Dressing in the Arena Chapel: Giotto?s Virtue Fortitude Re-examined /$rMary D. Edwards -- $t2: The Liminal Feminine: Illuminating Europa in the Ovide Moralisé /$rK. Sarah-Jane Murray and Ashley A. Simone -- $t3: A Giant Corrupt Body: The Gendering of Renaissance Roma /$rGenevieve S. Gessert -- $t4: Luca Signorelli?s Veturia Persuading Coriolanus to Spare Rome and Viewers in the Palazzo Petrucci, Siena /$rStephanie C. Leone -- $t5: Queer Fragments: Sodoma, the Belvedere Torso, and Saint Catherine?s Head /$rTimothy B. Smith -- $t6: The Trouble with Pasiphaë: Engendering a Myth at the Gonzaga Court /$rMaria F. Maurer -- $t7: Vision, Voluptas, and the Poetics of Water in Lorenzo Lotto?s Venus and Cupid /$rApril Oettinger -- $t8: The Crone, the Witch, and the Library: The Intersection of Classical Fantasy with Christian Vice during the Italian Renaissance /$rPatricia Simons -- $t9: Picturing Rape and Revenge in Ovid?s Myth of Philomela /$rHetty E. Joyce -- $t10: Figuring Florence: Gendered Bodies in Sixteenth-Century Personifications and Their Antique Models /$rClaudia Lazzaro -- $t11: Conjugal Piety: Creusa in Barocci?s Aeneas? Flight from Troy /$rIan Verstegen -- $t12: Ancient Idols, Lascivious Statues, and Sixteenth-Century Viewers in Roman Gardens /$rKatherine M. Bentz -- $tIndex /$rMarice Rose and Alison C. Poe. 330 $aReceptions of Antiquity, Constructions of Gender in European Art, 1300-1600 presents scholarship in classical reception at its nexus with art history and gender studies. It considers the ways that artists, patrons, collectors, and viewers in late medieval and early modern Europe used ancient Greek and Roman art, texts, myths, and history to interact with and shape notions of gender. The essays examine Giotto's Arena Chapel frescoes, Michelangelo's Medici Chapel personifications, Giulio Romano's decoration of the Palazzo del Te, and other famous and lesser-known sculptures, paintings, engravings, book illustrations, and domestic objects as well as displays of ancient art. Visual responses to antiquity in this era, the volume demonstrates, bore a complex and significant relationship to the construction of, and challenges to, contemporary gender norms. 410 0$aMetaforms ;$vVolume 3. 606 $aSex role in art 606 $aCivilization, Classical, in art 606 $aCivilization, Western$xClassical influences 606 $aArt and society$zEurope$xHistory$yTo 1500 608 $aElectronic books. 615 0$aSex role in art. 615 0$aCivilization, Classical, in art. 615 0$aCivilization, Western$xClassical influences. 615 0$aArt and society$xHistory 676 $a704.9/49938 702 $aRose$b Marice 702 $aPoe$b Alison C. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910460385703321 996 $aReceptions of antiquity, constructions of gender in European art, 1300-1600$91944032 997 $aUNINA