LEADER 04046nam 2200721 450 001 9910460377703321 005 20200520144314.0 010 $a0-253-01717-3 035 $a(CKB)3710000000445698 035 $a(EBL)2089419 035 $a(SSID)ssj0001517768 035 $a(PQKBManifestationID)12559741 035 $a(PQKBTitleCode)TC0001517768 035 $a(PQKBWorkID)11504236 035 $a(PQKB)11351834 035 $a(MiAaPQ)EBC2089419 035 $a(OCoLC)914150109 035 $a(MdBmJHUP)muse48544 035 $a(Au-PeEL)EBL2089419 035 $a(CaPaEBR)ebr11076395 035 $a(EXLCZ)993710000000445698 100 $a20150727h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aReframing Holocaust testimony /$fNoah Shenker 210 1$aBloomington, Indiana ;$aIndianapolis, [Indiana] :$cIndiana University Press,$d2015. 210 4$dİ2015 215 $a1 online resource (268 p.) 225 1 $aModern Jewish Experience 300 $a"Institutions that have collected video testimonies from the few remaining Holocaust survivors are grappling with how to continue their mission to educate and commemorate. Noah Shenker calls attention to the ways that audiovisual testimonies of the Holocaust have been mediated by the institutional histories and practices of their respective archives. Shenker argues that testimonies are shaped not only by the encounter between interviewer and interviewee, but also by technical practices and the testimony process. He analyzes the ways in which interview questions, the framing of the camera, and curatorial and programming preferences impact how Holocaust testimony is molded, distributed, and received"--Provided by publisher. 311 $a0-253-01713-0 311 $a0-253-01709-2 320 $aIncludes bibliographical references and index. 327 $a1. Testimonies from the Grassroots: The Fortunoff Video Archive for Holocaust Testimonies -- 2. Centralizing Holocaust Testimony: The United States Holocaust Memorial Museum -- 3. The Cinematic Origins and the Digital Future of the Shoah Foundation -- 4. Telling and Retelling Holocaust Testimonies. Conclusion: Documenting Genocide through the Lens of the Holocaust. 330 $aInstitutions that have collected video testimonies from the few remaining Holocaust survivors are grappling with how to continue their mission to educate and commemorate. Noah Shenker calls attention to the ways that audiovisual testimonies of the Holocaust have been mediated by the institutional histories and practices of their respective archives. Shenker argues that testimonies are shaped not only by the encounter between interviewer and interviewee, but also by technical practices and the testimony process. He analyzes the ways in which interview questions, the framing of the camera, and c 410 0$aModern Jewish experience (Bloomington, Ind.) 606 $aHolocaust, Jewish (1939-1945)$xInfluence 606 $aHolocaust, Jewish (1939-1945)$xAudio-visual aids 606 $aHolocaust, Jewish (1939-1945)$vPersonal narratives$xAudio-visual aids 606 $aHolocaust, Jewish (1939-1945)$xSocial aspects 606 $aOral history$xAudio-visual aids 606 $aVideo recording$xInfluence 606 $aInterviewing$xTechnique 608 $aElectronic books. 615 0$aHolocaust, Jewish (1939-1945)$xInfluence. 615 0$aHolocaust, Jewish (1939-1945)$xAudio-visual aids. 615 0$aHolocaust, Jewish (1939-1945)$xAudio-visual aids. 615 0$aHolocaust, Jewish (1939-1945)$xSocial aspects. 615 0$aOral history$xAudio-visual aids. 615 0$aVideo recording$xInfluence. 615 0$aInterviewing$xTechnique. 676 $a940.5318075 700 $aShenker$b Noah$0909283 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910460377703321 996 $aReframing Holocaust testimony$92034106 997 $aUNINA