LEADER 03321nam 2200637 450 001 9910460328503321 005 20200520144314.0 010 $a1-4438-6737-3 035 $a(CKB)3710000000244459 035 $a(EBL)1790933 035 $a(SSID)ssj0001343488 035 $a(PQKBManifestationID)11824739 035 $a(PQKBTitleCode)TC0001343488 035 $a(PQKBWorkID)11326909 035 $a(PQKB)10665896 035 $a(MiAaPQ)EBC1790933 035 $a(Au-PeEL)EBL1790933 035 $a(CaPaEBR)ebr10934894 035 $a(CaONFJC)MIL819795 035 $a(OCoLC)892511788 035 $a(EXLCZ)993710000000244459 100 $a20140929h20142014 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aSubcultures, popular music and social change /$fedited by The Subcultures Network ; Andy Bennett [and twenty one others], contributors 210 1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2014. 210 4$dİ2014 215 $a1 online resource (322 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-5945-1 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $aCONTENTS; ACKNOWLEDGEMENTS; PREFACE; CONTRIBUTORS; 1. SUBCULTURES, POPULAR MUSIC AND SOCIAL CHANGE; I.THEORIZING SUBCULTURES AND POPULAR MUSIC; 2. SUBCULTURAL THEORY IN FRANCE:A MISSED RENDEZ-VOUS?; 3. "IT'S WHERE YOU COME FROM THAT MAKES YOU WHO YOU ARE"; 4. YOUTH CULTURE AND THE INTERNET; II.THE CONSTRUCTION AND EXPRESSION OF SUBCULTURAL IDENTITIES; 5. "A HARMONIZING WHOLE"?MUSIC, MASS OBSERVATION AND THE INTERWAR PUBLIC HOUSE; 6. NEO-BURLESQUE; 7. AMBITIOUS OUTSIDERS; 8. SUBCULTURAL ENTRANCE PRACTICES IN UK PUNK CULTURE, 1976-2001; 9. STARING AT THE RUDE BOYS 327 $aIII.SUBCULTURES, GLOBAL FLOWS AND LOCAL CONTEXTS 10. THE STAX/VOLT REVUE AND SOUL MUSIC FANDOM IN 1960's BRITAIN; 11. 1968 UNDERGROUND; 12. "THE LAD IS ALWAYS RIGHT"; 13. AN EXPLORATION OF DEVIANCE,POWER AND RESISTANCE WITHIN CONTEMPORARY CUBA; AFTER WORD AFTER SHOCK; INDEX 330 $aStyle-based subcultures, scenes and tribes have pulsated through the history of social, economic and political change. From 1940's zoot-suiters and hepcats; through 1950's rock 'n' rollers, beatniks and Teddy boys; 1960's surfers, rudeboys, mods, hippies and bikers; 1970's skinheads, soul boys, rastas, glam rockers, funksters and punks; on to the heavy metal, hip-hop, casual, goth, rave, hipster and clubber styles of the 1980's, 90's, noughties and beyond; distinctive blends of fashion and music ha... 606 $aSubculture$vCongresses 606 $aPopular music$xSocial aspects$vCongresses 606 $aRock music$xSocial aspects$vCongresses 606 $aCounterculture$vCongresses 608 $aElectronic books. 615 0$aSubculture 615 0$aPopular music$xSocial aspects 615 0$aRock music$xSocial aspects 615 0$aCounterculture 676 $a306.1 702 $aBennett$b Andy 712 02$aSubcultures Network, 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910460328503321 996 $aSubcultures, popular music and social change$92207138 997 $aUNINA