LEADER 02967nam 22006373u 450 001 9910460296503321 005 20210108145953.0 010 $a1-282-94789-3 010 $a9786612947896 010 $a1-4411-2289-3 035 $a(CKB)2670000000067168 035 $a(EBL)634573 035 $a(OCoLC)699475273 035 $a(SSID)ssj0000438047 035 $a(PQKBManifestationID)12210455 035 $a(PQKBTitleCode)TC0000438047 035 $a(PQKBWorkID)10448210 035 $a(PQKB)11256660 035 $a(MiAaPQ)EBC634573 035 $a(EXLCZ)992670000000067168 100 $a20130418d2010|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aImprovisation and the Making of American Literary Modernism$b[electronic resource] 210 $aLondon $cContinuum International Publishing$d2010 215 $a1 online resource (210 p.) 300 $aDescription based upon print version of record. 311 $a1-4411-1375-4 311 $a1-4411-6946-6 327 $aContents; Acknowledgments; INTRODUCTION: WRITING IMPROVISATION INTO MODERNISM; CHAPTER 1 EZRA POUND: MUSIC, HISTORY, TIME; CHAPTER 2 LANGSTON HUGHES: "HOW TO TAKE THE IMPOSSIBLE AND MAKE IT DANCE"; CHAPTER 3 LISTENING TO GERTRUDE STEIN'S SAXOPHONE; CHAPTER 4 BANJOS, BLACKBIRDS, AND BLUE GUITARS: THE SOUNDWORLD OF WALLACE STEVENS; CONCLUSION; Notes; Bibliography; Index 330 $aImprovisation, despite its almost ubiquitous presence in many art forms, is notoriously misunderstood and mysterious. Although earlier strands of American philosophy and art emphasized what might be called improvisational practices, it was during the modernist period that improvisational practice and theory began to make a significant impact on art and culture, specifically via the African American musical forms of jazz and blues. This musical development held important consequences for the larger artistic, cultural, and political life of America as a wholeGC?o?and, eventually, the world. The hi 606 $aAmerican literature -- 20th century -- History and criticism 606 $aAmerican poetry$xHistory and criticism$y20th century$zUnited States 606 $aModernism (Literature) 606 $aEnglish$2HILCC 606 $aLanguages & Literatures$2HILCC 606 $aAmerican Literature$2HILCC 608 $aElectronic books. 615 4$aAmerican literature -- 20th century -- History and criticism. 615 0$aAmerican poetry$xHistory and criticism 615 0$aModernism (Literature) 615 7$aEnglish 615 7$aLanguages & Literatures 615 7$aAmerican Literature 676 $a810.9112 700 $aWallace$b Rob$0984710 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910460296503321 996 $aImprovisation and the Making of American Literary Modernism$92250172 997 $aUNINA LEADER 01713nam 2200421 n 450 001 996396361703316 005 20221108083319.0 035 $a(CKB)4330000000363077 035 $a(EEBO)2240853018 035 $a(UnM)99845425 035 $a(EXLCZ)994330000000363077 100 $a19910927d1577 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 12$aA bryefe and necessary catechisme or instruction$b[electronic resource] $eVery needefull to be knowne of al housholders. [...] 210 $aImprinted at London $cBy Iohn Charlewood$d1577 215 $a[48] p 300 $aA revision by Edward Dering of an unpublished work by John More. Originally published in 1572 as: A briefe & necessary instruction. 300 $aIn two parts. Part 2 has separate register and a separately dated title page which reads: A bryfe and necessary catechisme or instruction. Very needefull to be knowne of al housholders. .. 300 $aCatechism has B1r catchword: "my" and last line ends "al". 300 $aSignatures: A-C (C8 blank). 300 $aFormerly STC 4796. 300 $aIdentified as STC 4796 on UMI microfilm reel 189. 300 $aImperfect. Lacks all of part 1. 300 $aReproduction of the original in the Bodleian Library. 330 $aeebo-0014 606 $aCatechisms, English$vEarly works to 1800 615 0$aCatechisms, English 700 $aDering$b Edward$f1540?-1576.$01002055 701 $aMore$b John$fd. 1592.$01004973 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996396361703316 996 $aA bryefe and necessary catechisme or instruction$92370950 997 $aUNISA