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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aHollywood and the CIA $ecinema, defense, and subversion /$fOliver Boyd-Barrett, David Herrera, and Jim Baumann
210  1$aLondon :$cRoutledge,$d2011.
215   $a1 online resource (225 p.)
225 1 $aMedia, War and Security
300   $aDescription based upon print version of record.
311   $a0-415-83229-2 
311   $a0-415-78006-3 
320   $aIncludes bibliographical references and index.
327   $aHollywood and the CIA : "a bunch of seedy, squalid bastards" -- The 1960s : in the shadows -- The 1970s : "there are no more secrets" -- The 1980s : "we've wiped out entire cultures! and for what?" -- The 1990s : black ops meet terror -- The 2000s : history interrupted -- Conclusion : once upon a time in Hollywood.
330   $aThis book investigates representations of the Central Intelligence Agency (CIA) in Hollywood films, and the synergies between Hollywood product, U.S. military/defense interests and U.S. foreign policy.As probably the best known of the many different intelligence agencies of the US, the CIA is an exceptionally well known national and international icon or even ""brand,"" one that exercises a powerful influence on the imagination of people throughout the world as well as on the creative minds of filmmakers. The book examines films sampled from five decades - the 1960s, 1970s, 1980s, 19
410  0$aMedia, War and Security
606   $aEspionage in motion pictures
606   $aMotion pictures$xPolitical aspects$zUnited States
606   $aInternational relations in motion pictures
606   $aPolitics in motion pictures
608   $aElectronic books.
615  0$aEspionage in motion pictures.
615  0$aMotion pictures$xPolitical aspects
615  0$aInternational relations in motion pictures.
615  0$aPolitics in motion pictures.
676   $a791.43/6581
700   $aBoyd-Barrett$b Oliver.$0962031
701   $aBaumann$b Jim$01028108
701   $aHerrera$b David$f1986-$01028109
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910460240803321
996   $aHollywood and the CIA$92443959
997   $aUNINA