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100   $a20150511h20122012  uy|            0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aAnimation $eart & industry /$fedited by Maureen Furniss
210  1$aHerts :$cJL,$d[2012]
210  4$d©2012
215   $a1 online resource (479 p.)
300   $aDescription based upon print version of record.
311   $a0-86196-680-5 
320   $aIncludes bibliographical references and index.
327   $aANIMATION:; ART & INDUSTRY; ANIMATION:; ART & INDUSTRY; Edited by; Maureen Furniss; Contents; Introduction; Maureen Furniss; Global; Perspectives; 1; Fine Art Animation; Cecile Starr [1987]; 2; Some Critical Perspectives on Lotte Reiniger; William Moritz [1996]; 3; it's mickey mouse; Esther Leslie [2002]; 4; Norman McLaren:; His UNESCO Work in Asia; Terence Dobson [2000]; 5; Conventions versus Cliche?s; Patrick Drazen [2003]; 6; My Neighbor Totoro; Helen McCarthy [1999]; 7; Glocalisation vs. Globalization: The Work of Nick Park and Peter Lord; Marian Quigley [2002]; 8
327   $aToward a Postmodern Animated Discourse: Bakhtin, Intertextuality and the Cartoon CarnivalTerry Lindvall & Matthew Melton [1994]; 9; Innocent Play or the Copycat Effect? Computer Game Research and Classification; Jørgen Stensland [2001]; Animation in; America; 10; Winsor McCay; John Canemaker [1980]; 11; The Live Wire:; Margaret J. Winkler and Animation History; J.B. Kaufman [2004]; 12; Disney and the Art World: The Early Years; Bill Mikulak [1996]; 13; The Art of Chuck Jones:; John Lewell Interviews the Veteran Hollywood Animator; Interview by John Lewell [1982]; 14; The Disney Studio at War
327   $aCharles Solomon [1998]15; UPA; Jules Engel [1984]; 16; Blacklisted Animators; Karl Cohen [1997]; 17; Clay Animation and the Early Days of Television:; The "Gumby" Series; Michael Frierson [1994]; 18; Commercial Breaks; Bill Hanna & Tom Ito [1996]; 19; "Cartoon, Anti-Cartoon"; George Griffin [1980]; 20; Computers, New Technology and Animation; James Lindner, Tina Price, Carl Rosendahl, and John Lasseter [1988]; 21; The Illusion of "Identity": Gender and Racial Representation in Aladdin; Sean Griffin [1994]; 22; Selling Bugs Bunny: Warner Bros. and Character Merchandising in the Nineties
327   $aLinda Simensky [1998]Author biographies
330   $aAnimation-Art and Industry is an introductory reader covering a broad range of animation studies topics, focusing on both American and international contexts. It provides information about key individuals in the fields of both independent and experimental animation, and introduces a variety of topics relevant to the critical study of media-censorship, representations of gender and race, and the relationship between popular culture and fine art. Essays span the silent era to the present, include new media such as web animation and gaming, and address animation made using a variety of techniques
606   $aAnimation (Cinematography)
606   $aAnimated films
608   $aElectronic books.
615  0$aAnimation (Cinematography)
615  0$aAnimated films.
676   $a791.4334
702   $aFurniss$b Maureen
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910460116503321
996   $aAnimation$92016743
997   $aUNINA