LEADER 03229nam 2200637 450 001 9910460031603321 005 20200520144314.0 010 $a0-8173-8746-3 035 $a(CKB)3710000000238824 035 $a(EBL)1788937 035 $a(OCoLC)890983527 035 $a(SSID)ssj0001266385 035 $a(PQKBManifestationID)11728377 035 $a(PQKBTitleCode)TC0001266385 035 $a(PQKBWorkID)11250247 035 $a(PQKB)10068133 035 $a(MiAaPQ)EBC1788937 035 $a(MdBmJHUP)muse32953 035 $a(Au-PeEL)EBL1788937 035 $a(CaPaEBR)ebr10932060 035 $a(EXLCZ)993710000000238824 100 $a20140924h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTracing Southern storytelling in black and white /$fSarah Gilbreath Ford ; cover design, Mary Elizabeth Watson 210 1$aTuscaloosa, Alabama :$cThe University Alabama Press,$d2014. 210 4$dİ2014 215 $a1 online resource (169 p.) 300 $aDescription based upon print version of record. 311 $a0-8173-1823-2 320 $aIncludes bibliographical references and index. 327 $aIntroduction: intertwining strings -- Getting the joke: Joel Chandler Harris's Uncle Remus: his songs and sayings and Charles Chesnutt's The conjure woman -- Paradise disrupted: William Faulkner's Absalom, Absalom! and Zora Neale Hurston's Their eyes were watching God -- Getting the last laugh: Ralph Ellison's Invisible man and Eudora Welty's Losing battles -- Haunted by stories: Ernest Gaines's A gathering of old men and Ellen Douglas's Can't quit you, baby -- Epilogue. 330 $a