LEADER 01201nam--2200385---450- 001 990001858880203316 005 20050805111915.0 035 $a000185888 035 $aUSA01000185888 035 $a(ALEPH)000185888USA01 035 $a000185888 100 $a20040716d1958----km-y0itay0103----ba 101 0 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a<> ombra dei padri$estudi sulla letteratura americana$fSalvatore Rosati 210 $aRoma$cEdizioni di Storia e Letteratura$d1958 215 $a219 p.$d22 cm. 225 2 $aBiblioteca di studi americani 410 0$12001$aBiblioteca di studi americani 454 1$12001 461 1$1001-------$12001 700 1$aROSATI,$bSalvatore$0192682 801 0$aIT$bsalbc$gISBD 912 $a990001858880203316 951 $aVII.4.C. 8a(II i am H 1/4)$b9198 L.M.$cII i am 951 $aVII.4.C. 8(III A coll. 38/4)$b72763 L.M.$cIII A 959 $aBK 969 $aUMA 979 $aSIAV8$b10$c20040716$lUSA01$h1443 979 $aSIAV8$b10$c20040716$lUSA01$h1452 979 $aCOPAT3$b90$c20050324$lUSA01$h1442 979 $aCOPAT3$b90$c20050805$lUSA01$h1119 996 $aOmbra dei Padri$9518559 997 $aUNISA LEADER 03028nam 22005535 450 001 9910459972903321 005 20210429201552.0 010 $a0-231-53847-2 024 7 $a10.7312/kell16220 035 $a(CKB)3710000000269900 035 $a(EBL)1824555 035 $a(StDuBDS)EDZ0001076042 035 $a(DE-B1597)458386 035 $a(OCoLC)979751967 035 $a(DE-B1597)9780231538473 035 $a(MiAaPQ)EBC1824555 035 $a(EXLCZ)993710000000269900 100 $a20190708d2014 fg 0 101 0 $aeng 135 $aur||#|||||||| 181 $2rdacontent 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aMaya Deren $eIncomplete Control /$fSarah Keller 210 1$aNew York, NY :$cColumbia University Press,$d[2014] 210 4$dİ2014 215 $a1 online resource (297 p.) 225 0 $aFilm and Culture Series 300 $aDescription based upon print version of record. 311 $a0-231-16221-9 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction. Unfinished Business --$tONE. Done and Undone --$tTWO. Toward Completion and Control --$tTHREE. Haiti --$tFOUR. Full Circle --$tConclusion In Completing a Th ought, A Last Word (for now . . . ) --$tNotes --$tIndex --$tBackmatter 330 $aMaya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940's and 1950's. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative and provocative imagery, setting the stage for the twentieth-century's groundbreaking aesthetic movements and films. Maya Deren assesses both the filmmaker's completed work and her numerous unfinished projects, arguing Deren's overarching aesthetic is founded on principles of incompletion, contingency, and openness. Combining the contrasting approaches of documentary, experimental, and creative film, Deren created a wholly original experience for film audiences that disrupted the subjectivity of cinema, its standards of continuity, and its dubious facility with promoting categories of realism. This critical retrospective reflects on the development of Deren's career and the productive tensions she initiated that continue to energize film. 410 0$aFilm and Culture Series 606 $aExperimental films$zUnited States$xHistory and criticism 606 $aIndependent filmmakers$zUnited States 608 $aElectronic books. 615 0$aExperimental films$xHistory and criticism. 615 0$aIndependent filmmakers 676 $a791.430233092 686 $aAP 54100$2rvk 700 $aKeller$b Sarah$0801310 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910459972903321 996 $aMaya Deren$92462962 997 $aUNINA