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100   $a20120410h20102009  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aMusic autoethnographies$b[electronic resource] $emaking autoethnography sing : making music personal /$fedited by Brydie-Leigh Bartleet and Carolyn Ellis
210   $aBowen Hills, Qld. $cAustralian Academic Press$d2010, c2009
215   $a1 online resource (290 p.)
300   $aReprinted in 2010.
311   $a1-921513-40-3 
320   $aIncludes bibliographical references.
327   $asection 1. Composing and improvising -- section 2. Interpreting and performing -- section 3. Learning and teaching -- section 4. Researching identity and cross-cultural contexts.
330   $aAutoethnography is an autobiographical genre that connects the personal to the cultural, social, and political. The synergies between music and autoethnography are promising, ready to be fully realised. For the first time, this edited volume explores these synergies by presenting work in which the relationship between these two areas is explored through the eyes, ears, emotions, and stories of music and autoethnography practitioners.
606   $aCommunication in music
606   $aSubjectivity in music
606   $aEthnomusicology
608   $aElectronic books.
615  0$aCommunication in music.
615  0$aSubjectivity in music.
615  0$aEthnomusicology.
676   $a781.705
701   $aBartleet$b Brydie-Leigh$0927281
701   $aEllis$b Carolyn$f1950-$0863376
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910459964603321
996   $aMusic autoethnographies$92083474
997   $aUNINA