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010   $a9786612765759
010   $a1-4411-6082-5
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100   $a20100318d2010      uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 00$aOn bathos$b[electronic resource] /$fedited by Sara Crangle and Peter Nicholls
210   $aLondon $cContinuum$dc2010
215   $a1 online resource (202 p.)
300   $aFormerly CIP.$5Uk
311   $a1-4411-5520-1 
311   $a1-4411-0507-7 
320   $aIncludes bibliographical references and index.
327   $aContents; Notes on Contributors; Acknowledgements; Introduction On Bathos; Chapter 1 What is Bathos?; Chapter 2 Dada IS Bathos! Or: Of the Hobbyhorse Endlessly Rocking; Chapter 3 The Strings are False: Bathos, Pastoral, and Social Reflexivity in 1930's British Poetry; Chapter 4 Jim the Jerk: Bathos and Loveliness in the Poetry of James Schuyler; Chapter 5 She Disappeared into Unhappy Consciousness: Louise Bourgeois and the Bathos of Surrealism; Chapter 6 Cultures of Musical Failure; Chapter 7 Bathos and Mind-reading; Chapter 8 Low Resistance
327   $aChapter 9 Kallos Anti-Bathos? (From Calle to Freud, Lacan, and Back)Index
330   $aWhile the sublime has garnered a great deal of critical attention over the past twenty years, its counterpart, bathos, has yet to receive any extended treatment. Generally understood as an inadvertent descent to the low, vulgar, and ludicrous in writing or art, the term "bathos" was popularised by Pope, who used it to satirise his contemporaries. Ironically likening bathos to the depths of profundity, Pope lauded his peers for their influential writings whilst openly deriding their absurd misuses of figure and rhetorical device. Pope's method proved prophetic: today, artists regularly celebrate
606   $aBathos
606   $aStyle, Literary
608   $aElectronic books.
615  0$aBathos.
615  0$aStyle, Literary.
676   $a809.917
701   $aCrangle$b Sara$0846661
701   $aNicholls$b Peter$f1950-$0846662
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910459947603321
996   $aOn bathos$91891666
997   $aUNINA