LEADER 04628nam 2200601 450 001 9910459926003321 005 20200520144314.0 010 $a0-19-997381-4 010 $a0-19-997394-6 035 $a(CKB)3710000000329341 035 $a(EBL)1911966 035 $a(MiAaPQ)EBC1911966 035 $a(Au-PeEL)EBL1911966 035 $a(CaPaEBR)ebr11000838 035 $a(OCoLC)899942203 035 $a(EXLCZ)993710000000329341 100 $a20150116h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aInteractive composition $estrategies using Ableton Live and Max for Live /$fV. J. Manzo and Will Kuhn 210 1$aOxford, England :$cOxford University Press,$d2015. 210 4$dİ2015 215 $a1 online resource (281 p.) 300 $aDescription based upon print version of record. 311 $a0-19-997395-4 311 $a0-19-997382-2 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; Foreword; Preface; Acknowledgments; About the Companion Website; 1 Basics; Companion Site and Files; Basic Setup; Working in Live; On Your Own; 2 Session View; Session View; Adding Effects; Key and MIDI Mapping; Record to Arrangement View; On Your Own; 3 Introduction to Max for Live; Why Would I Want to Start Programming?; Writing a MIDI Program; On Your Own; 4 Ambient; Getting Started; Other Instruments; Form; On Your Own; 5 Pop and Rock Music; Enhancing the Recording with Effects; Automation; Making It Performable in a Live Situation 327 $aUsing the Return Tracks as Monitor MixesMultiple Sessions in One Session; Live for Practicing; On Your Own; Monkey FX Guide; 6 Electroacoustic Music; Preparing the Canvas; Preparing the Form; Preparing Computer-Generated Sounds; Preparing the Session for Performance; Composition Examples; On Your Own; 7 Modern Hip-Hop and Trap Music; Drum Patterns; Sub Kicks and Bass Lines; Buildup Patterns; Chord Sequences; Stabs; Lasers; Chipmunk Vocals and Shouts; Composition Examples; On Your Own; 8 House Music; Kick Drum and Essential Elements; Electro Bass Synth 327 $aSetting Up Mix Groups and Sidechain DuckingForm and Arrangement; On Your Own; 9 Breakbeat/Drum and Bass; Creating a Sampled Loop; Reese Bass; Sub Bass and Advanced Reese; Sampled Sirens and Other Instruments; Buildup Scene; Mixing; Form Considerations; On Your Own; 10 Chiptune; Designing a Custom Chip Instrument; Using the Custom Chip Sounds; Auto-Chords and MIDI Reuse; Sampled Chip Sounds; 8-Bit Drums; Form and Structure; On Your Own; 11 Granular Synthesis; Basic Sampling; Wavetable Synthesis with Simpler; Granular Synthesis with Granulator II; Drums from a Voice; Mixing; On Your Own 327 $a12 DubstepDrum Patterns; Bass Instruments and Resampling; Treble Leads; Risers; Initial Mixing; On Your Own; 13 Remixing and Loop Sampling; Simple Remixing; Mashups; Sampling Loops from Preexisting Songs; Remixing an Acapella; On Your Own; 14 Mastering; Generic Mixing Technique; The Master Track; The Limiter; The Mastering Chain; Compression on the Master Track; Equalizing on the Master Track; Multiband Dynamics; The Loudness War; Exporting; On Your Own; 15 Analysis of Projects; Live Rig; Pedalman Pro; Wrap-Up; On Your Own; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P 327 $aQR; S; T; U; V; W; Y; Z 330 $aInteractive Composition empowers readers with all of the practical skills and insights they need to compose and perform electronic popular music in a variety of popular styles. The book begins by introducing all of the tools involved in creating interactive compositions through the software Ableton Live and Max for Live. The following chapters then put the tools to use by both describing particular musical styles and also teaching readers how to compose and perform within these styles using the software. As readers progresses through the book, they will learn to use the software to facilitate 606 $aDigital audio editors 606 $aSoftware synthesizers 606 $aComposition (Music)$xComputer programs 608 $aElectronic books. 615 0$aDigital audio editors. 615 0$aSoftware synthesizers. 615 0$aComposition (Music)$xComputer programs. 676 $a781.3/453 700 $aManzo$b V. J.$0904583 702 $aKuhn$b Will 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910459926003321 996 $aInteractive composition$92128405 997 $aUNINA LEADER 01438nam 2200373Ia 450 001 996384437903316 005 20221108065643.0 035 $a(CKB)1000000000591771 035 $a(EEBO)2240865499 035 $a(OCoLC)51784591 035 $a(EXLCZ)991000000000591771 100 $a20030304d1688 uy 0 101 0 $aeng 135 $aurbn||||a|bb| 200 02$aA pastoral letter from the four Catholic bishops to the lay-Catholics of England$b[electronic resource] 210 $a[Holy-rood-house (i.e. Edinburgh) $cRe-printed by Mr. P.B. Enginier ...$d1688] 215 $a8 p 300 $aCaption title. 300 $aImprint from colophon. 300 $aSigned at end: John Bishop of Adramite. V.A., Bonaventure Bishop of Madaura. V.A., Philip Bishop of Aureliople. V.A., James Bishop of Callipoli. V.A. 300 $aReproduction of original in Cambridge University Library. 330 $aeebo-0097 606 $aVicars apostolic$zGreat Britain$vEarly works to 1800 615 0$aVicars apostolic 701 $aLeyburn$b John$f1620-1702.$01008781 701 $aGiffard$b Bonaventure$f1642-1734.$01008782 701 $aSmith$b James$f1645-1711.$01008783 701 $aEllis$b Philip$f1652-1726.$01006835 801 0$bEAE 801 1$bEAE 906 $aBOOK 912 $a996384437903316 996 $aA pastoral letter from the four Catholic bishops to the lay-Catholics of England$92327592 997 $aUNISA