LEADER 03356nam 2200673Ia 450 001 9910459903103321 005 20220204235435.0 010 $a1-282-66082-9 010 $a9786612660825 010 $a0-520-94740-1 024 7 $a10.1525/9780520947405 035 $a(CKB)2670000000043832 035 $a(EBL)566753 035 $a(OCoLC)659591219 035 $a(SSID)ssj0000399785 035 $a(PQKBManifestationID)11278664 035 $a(PQKBTitleCode)TC0000399785 035 $a(PQKBWorkID)10393520 035 $a(PQKB)11280937 035 $a(StDuBDS)EDZ0000084570 035 $a(MiAaPQ)EBC566753 035 $a(OCoLC)777474733 035 $a(MdBmJHUP)muse31096 035 $a(DE-B1597)519446 035 $a(DE-B1597)9780520947405 035 $a(Au-PeEL)EBL566753 035 $a(CaPaEBR)ebr10402712 035 $a(CaONFJC)MIL266082 035 $a(EXLCZ)992670000000043832 100 $a20100212d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDifferent drummers$b[electronic resource] $erhythm and race in the Americas /$fMartin Munro 210 $aBerkeley $cUniversity of California Press$dc2010 215 $a1 online resource 225 1 $aMusic of the African diaspora ;$v14 311 $a0-520-26282-4 311 $a0-520-26283-2 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tAcknowledgments --$tIntroduction. Slaves to the Rhythm --$t1. Beating Back Darkness --$t2. Rhythm, Creolization, and Conflict in Trinidad --$t3. Rhythm, Music, and Literature in the French Caribbean --$t4. James Brown, Rhythm, and Black Power --$tConclusion. Listening to New World History --$tNotes --$tReferences --$tIndex 330 $aLong a taboo subject among critics, rhythm finally takes center stage in this book's dazzling, wide-ranging examination of diverse black cultures across the New World. Martin Munro's groundbreaking work traces the central-and contested-role of music in shaping identities, politics, social history, and artistic expression. Starting with enslaved African musicians, Munro takes us to Haiti, Trinidad, the French Caribbean, and to the civil rights era in the United States. Along the way, he highlights such figures as Toussaint Louverture, Jacques Roumain, Jean Price-Mars, The Mighty Sparrow, Aimé Césaire, Edouard Glissant, Joseph Zobel, Daniel Maximin, James Brown, and Amiri Baraka. Bringing to light new connections among black cultures, Munro shows how rhythm has been both a persistent marker of race as well as a dynamic force for change at virtually every major turning point in black New World history. 410 0$aMusic of the African diaspora ;$v14. 606 $aBlack people$zCaribbean Area$xMusic$xHistory and criticism 606 $aAfrican Americans$xMusic$xHistory and criticism 608 $aElectronic books. 615 0$aBlack people$xMusic$xHistory and criticism. 615 0$aAfrican Americans$xMusic$xHistory and criticism. 676 $a780.89/960729 700 $aMunro$b Martin$0870009 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910459903103321 996 $aDifferent drummers$92488842 997 $aUNINA