LEADER 03482nam 2200625 450 001 9910459899303321 005 20200520144314.0 010 $a1-78533-354-2 010 $a1-78238-424-3 035 $a(CKB)3710000000226856 035 $a(EBL)1707795 035 $a(OCoLC)889674396 035 $a(SSID)ssj0001340197 035 $a(PQKBManifestationID)11739939 035 $a(PQKBTitleCode)TC0001340197 035 $a(PQKBWorkID)11356481 035 $a(PQKB)11693357 035 $a(MiAaPQ)EBC1707795 035 $a(Au-PeEL)EBL1707795 035 $a(CaPaEBR)ebr10918099 035 $a(CaONFJC)MIL640726 035 $a(EXLCZ)993710000000226856 100 $a20140905h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe emergence of film culture $eknowledge production, institution building, and the fate of the avant-garde in Europe, 1919-1945 /$fedited by Malte Hagener 210 1$aNew York :$cBerghahn,$d2014. 210 4$dİ2014 215 $a1 online resource (390 p.) 225 0 $aFilm Europa: German Cinema in an International Context 300 $aDescription based upon print version of record. 311 $a1-322-09475-6 311 $a1-78238-423-5 320 $aIncludes bibliographical references and index. 327 $aTitle page; Copyright; Contents; Figures; Acknowledgements; Introduction; Part I Formations of Knowledge ; Chapter 1 Policing Race: ; Chapter 2 The Visible Woman in and against Be?la Bala?zs ; Chapter 3 Encounters in Darkened Rooms ; Chapter 4 When Was Soviet Cinema Born? The Institutionalization of Soviet Film Studies and the Problems of Periodization; Part II Networks of Exchange ; Chapter 5 Eastern Avatars ; Chapter 6 Early Yugoslav Cine?-amateurism ; Chapter 7 Soviet-Italian Cinematic Exchanges ; Chapter 8 The Avant-Garde, Education and Marketing ; Part III Emergence of Institutions 327 $aChapter 9 Interwar Film Culture in Sweden Chapter 10 Building the Institution ; Chapter 11 A New Art for a New Society? The Emergence and Development of Film Schools in Europe ; Chapter 12 Institutions of Film Culture ; Chapter 13 The German Reich Film Archive in an International Context ; Notes on Contributors ; Select Bibliography ; Index 330 $a Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly transnational and creative, overcoming traditional boundaries between theory and practice, and between national and linguistic borders. This new European film culture established film as a valid form of social expression, as an art form, and as a political force to be reckoned with. By examining the extra 410 0$aFilm Europa 606 $aExperimental films$zEurope$xHistory and criticism 606 $aMotion pictures$zEurope$xHistory$y20th century 608 $aElectronic books. 615 0$aExperimental films$xHistory and criticism. 615 0$aMotion pictures$xHistory 676 $a791.43/61109409041 702 $aHagener$b Malte$f1971- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910459899303321 996 $aThe emergence of film culture$92472239 997 $aUNINA