LEADER 04525nam 2200601 450 001 9910459860903321 005 20200520144314.0 010 $a94-012-1196-5 035 $a(CKB)3710000000376212 035 $a(EBL)4540552 035 $a(SSID)ssj0001489369 035 $a(PQKBManifestationID)11920191 035 $a(PQKBTitleCode)TC0001489369 035 $a(PQKBWorkID)11457604 035 $a(PQKB)11342336 035 $a(MiAaPQ)EBC4540552 035 $a(OCoLC)919515984 035 $a(nllekb)BRILL9789401211963 035 $a(Au-PeEL)EBL4540552 035 $a(CaPaEBR)ebr11219891 035 $a(OCoLC)951594509 035 $a(EXLCZ)993710000000376212 100 $a20160624h20142014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aReworlding art history $eencounters with contemporary Southeast Asian art after 1990 /$fMichelle Antoinette 210 1$aAmsterdam, Netherlands ;$aNew York, New York :$cRodopi,$d2014. 210 4$dİ2014 215 $a1 online resource (648 p.) 225 1 $aCross/Cultures ;$v178 300 $aDescription based upon print version of record. 311 $a90-420-3914-0 320 $aIncludes bibliographical references and index. 327 $tPreliminary material /$rEditors Reworlding Art History --$tContemporary ?Southeast Asian? Art /$rEditors Reworlding Art History --$tMapping Regional Difference /$rEditors Reworlding Art History --$tExhibiting Southeast Asian Difference /$rEditors Reworlding Art History --$tTrans/Localities? /$rEditors Reworlding Art History --$tMemoryscapes /$rEditors Reworlding Art History --$tCorporeographies /$rEditors Reworlding Art History --$tEpilogue /$rEditors Reworlding Art History --$tBibliography /$rEditors Reworlding Art History --$tIndex /$rEditors Reworlding Art History. 330 $aReworlding Art History highlights the significance of contemporary Southeast Asian art and artists, and their place in the globalized art world and the internationalizing field of ?contemporary art?. In the light of the region?s modern art history, the book surveys this relatively under-examined area of contemporary art which first found broad international recognition in the 1990's. Traced here are significant exhibitions that featured contemporary Southeast Asian art and brought it to regional and international attention. Examined are seminal foundational art histories, and dominant methods and thematic frameworks for engaging with Southeast Asian art. Key artists, exhibitions, collections, scholarship, ideologies, and discourses shaping its developing history are discussed, as are major works by artists associated with Indonesia, Malaysia, the Philippines, and Singapore. Far from being peripheral, Southeast Asian art has helped create the very conditions of international contemporary art, compelling us to examine the Euro-American biases of art history. The book stresses local creative contexts and cultural histories of the rich modern and contemporary art of the region and its diaspora, revealing its plurality and diversity. The concept ?Southeast Asia? is treated as a crucial entry-point for examining art and artists associated with this unique region and for extending debate on the local/global constitution of contemporary art. Of central importance is the aesthetic agency of contemporary Southeast Asian art ? its invitation to sensory and affective response ? and its capacity for dialogue and diverse significations across borders. Also considered is the effect of shifting art-historical frameworks on engagement with this stimulating art. Richly illustrated and incorporating cross-cultural and interdisciplinary methods, Reworlding Art History is a foundational reference work for those interested in Southeast Asia?s contemporary art, including scholars of art history, Asian studies, curatorship, museology, visual culture, and anthropology, as well as professionals working in art and museum contexts. 410 0$aCross/cultures ;$v178. 606 $aArt, Southeast Asian$y20th century 606 $aArt, Modern$y20th century 608 $aElectronic books. 615 0$aArt, Southeast Asian 615 0$aArt, Modern 676 $a709.5909045 700 $aAntoinette$b Michelle$0803305 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910459860903321 996 $aReworlding art history$92157354 997 $aUNINA