LEADER 02966nam 22005532 450 001 9910459860603321 005 20160601155932.0 010 $a1-283-37766-7 010 $a9786613377661 010 $a1-84331-388-X 035 $a(CKB)2670000000044161 035 $a(EBL)840497 035 $a(OCoLC)747410946 035 $a(SSID)ssj0000519782 035 $a(PQKBManifestationID)12178678 035 $a(PQKBTitleCode)TC0000519782 035 $a(PQKBWorkID)10508109 035 $a(PQKB)10350490 035 $a(UkCbUP)CR9781843313885 035 $a(MiAaPQ)EBC840497 035 $a(EXLCZ)992670000000044161 100 $a20111212d2010|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aScreen writings$hVolume 2$iGenres, classics, and aesthetics /$fBert Cardullo$b[electronic resource] 210 1$aLondon :$cAnthem Press,$d2010. 215 $a1 online resource (xi, 185 pages) $cdigital, PDF file(s) 225 1 $aAnthem media and film studies 300 $aTitle from publisher's bibliographic system (viewed on 31 May 2016). 311 $a1-84331-837-7 327 $aFront Matter; Half Title; Title; Copyright; Table Of Contents; List Of Illustrations; Introduction; Part I: Film Genres, Film Classics, and Film Aesthetics; 1. Shooting the City: The Gangster, Manhattanites, and the Movies; 2. Back to the Future, or the Vanguard Meets the Rearguard; 3. Flags and Letters, Men and War; 4. Farce, Dreams, and Desire: Some Like It Hot Re-viewed; Interlude; 5. Switching Genres, or Playing to the Camera, Playing to the House: Stage vs. Screen Acting; 6. On the Road Again: The Road Film and the Two Coppolas 327 $a7. The Coming-of-Age Film a? la Fellini: The Case of I vitelloniPart II. Classification, Re-classification, and Assessment; 8. Early vs. Later Bergman: Winter Light and Autumn Sonata Revisited; 9. "Everyone Has His Reasons": Words, Images, and La grande illusion in the Cinema of Jean Renoir; 10. A Passage to Tokyo: The Art of Ozu, Remembered; 11. Through the Looking Glass: The American Art Cinema in an Age of Social Change; End Matter; Bibliography of Related Criticism; Index:Screen Writings,Volume 2 330 $a'Screen Writings: Genres, Classics, and Aesthetics' offers close readings of genre films and acknowledged film classics in an attempt to explore both the aesthetics of genre and the definition of 'classic' - as well as the changing perception of so-called classic movies over time. 410 0$aAnthem media and film studies. 606 $aMotion pictures$vReviews 606 $aMotion pictures 615 0$aMotion pictures 615 0$aMotion pictures. 676 $a791.43/75 700 $aCardullo$b Bert$01027935 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910459860603321 996 $aScreen writings$92475460 997 $aUNINA