LEADER 04607nam 2200781 450 001 9910459826403321 005 20200520144314.0 010 $a0-8135-7137-5 024 7 $a10.36019/9780813571379 035 $a(CKB)3710000000315289 035 $a(EBL)1888026 035 $a(SSID)ssj0001382467 035 $a(PQKBManifestationID)12604108 035 $a(PQKBTitleCode)TC0001382467 035 $a(PQKBWorkID)11457551 035 $a(PQKB)11209970 035 $a(MiAaPQ)EBC1888026 035 $a(DE-B1597)526252 035 $a(OCoLC)898070981 035 $a(DE-B1597)9780813571379 035 $a(Au-PeEL)EBL1888026 035 $a(CaPaEBR)ebr10995909 035 $a(CaONFJC)MIL417687 035 $a(OCoLC)900888959 035 $a(EXLCZ)993710000000315289 100 $a20150105h20152015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCinema civil rights $eregulation, repression, and race in the classical hollywood era /$fEllen C. Scott 210 1$aNew Brunswick, New Jersey ;$aLondon, [England] :$cRutgers University Press,$d2015. 210 4$dİ2015 215 $a1 online resource (268 p.) 300 $aIncludes index. 311 $a0-8135-7136-7 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction --$t1. Regulating Race, Structuring Absence: Industry Self-Censorship And African American Representability --$t2. State Censorship And The Color Line --$t3. Racial Trauma, Civil Rights, And The Brutal Imagination Of Darryl F. Zanuck --$t4. Shadowboxing: Black Interpretive Activism In The Classical Hollywood Era --$tConclusion --$tNotes --$tIndex --$tAbout The Author 330 $aFrom Al Jolson in blackface to Song of the South, there is a long history of racism in Hollywood film. Yet as early as the 1930's, movie studios carefully vetted their releases, removing racially offensive language like the "N-word." This censorship did not stem from purely humanitarian concerns, but rather from worries about boycotts from civil rights groups and loss of revenue from African American filmgoers. Cinema Civil Rights presents the untold history of how Black audiences, activists, and lobbyists influenced the representation of race in Hollywood in the decades before the 1960's civil rights era. Employing a nuanced analysis of power, Ellen C. Scott reveals how these representations were shaped by a complex set of negotiations between various individuals and organizations. Rather than simply recounting the perspective of film studios, she calls our attention to a variety of other influential institutions, from protest groups to state censorship boards. Scott demonstrates not only how civil rights debates helped shaped the movies, but also how the movies themselves provided a vital public forum for addressing taboo subjects like interracial sexuality, segregation, and lynching. Emotionally gripping, theoretically sophisticated, and meticulously researched, Cinema Civil Rights presents us with an in-depth look at the film industry's role in both articulating and censoring the national conversation on race. 606 $aAfrican Americans in motion pictures 606 $aRacism in motion pictures 606 $aStereotypes (Social psychology) in motion pictures 606 $aAfrican Americans in the motion picture industry$xHistory$y20th century 606 $aAfrican American political activists$xHistory$y20th century 606 $aAfrican Americans$xCivil rights$xHistory$y20th century 606 $aMotion pictures$zUnited States$xHistory$y20th century 606 $aMotion pictures industry$zUnited States$xHistory$y20th century 606 $aMotion pictures$xCensorship$zUnited States$xHistory$y20th century 608 $aElectronic books. 615 0$aAfrican Americans in motion pictures. 615 0$aRacism in motion pictures. 615 0$aStereotypes (Social psychology) in motion pictures. 615 0$aAfrican Americans in the motion picture industry$xHistory 615 0$aAfrican American political activists$xHistory 615 0$aAfrican Americans$xCivil rights$xHistory 615 0$aMotion pictures$xHistory 615 0$aMotion pictures industry$xHistory 615 0$aMotion pictures$xCensorship$xHistory 676 $a791.436520396073 686 $aAP 44983$2rvk 700 $aScott$b Ellen C.$01053514 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910459826403321 996 $aCinema civil rights$92485440 997 $aUNINA