LEADER 04207nam 2200721 450 001 9910459809603321 005 20210428193647.0 010 $a0-8014-5480-8 010 $a0-8014-7997-5 010 $a0-8014-5481-6 024 7 $a10.7591/9780801454813 035 $a(CKB)3710000000315214 035 $a(SSID)ssj0001383642 035 $a(PQKBManifestationID)12598807 035 $a(PQKBTitleCode)TC0001383642 035 $a(PQKBWorkID)11321343 035 $a(PQKB)11053200 035 $a(StDuBDS)EDZ0001503920 035 $a(MiAaPQ)EBC3138691 035 $a(OCoLC)966766159 035 $a(MdBmJHUP)muse51923 035 $a(DE-B1597)478225 035 $a(OCoLC)898028398 035 $a(OCoLC)979575249 035 $a(DE-B1597)9780801454813 035 $a(Au-PeEL)EBL3138691 035 $a(CaPaEBR)ebr10995800 035 $a(CaONFJC)MIL683572 035 $a(EXLCZ)993710000000315214 100 $a20141217h20142014 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSongs of the factory $epop music, culture, and resistance /$fMarek Korczynski 210 1$aIthaca, New York :$cILR Press, an imprint of Cornell University Press,$d2014. 210 4$dİ2014 215 $a1 online resource 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-322-52290-1 311 $a0-8014-5154-X 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$t1. Reach Out I'll Be There: Pop Music, Work, and Society --$t2. Stayin' Alive at McTells --$t3. I Got All My Sisters with Me: Music and Community --$t4. Music, Machines, and Clocks: Songs and the Senses of Alienation --$t5. You Can Tell by the Way I Use My Walk: Music as Aid to Work and Critique of Taylorism --$t6. Pop Songs and the Hidden Injuries (and Joys) of Class --$t7. Collective Resistance on the Shop Floor --$t8. Dotted Lines on the Shop Floor: Cultural Connections with Collective Resistance --$t9. Conclusion: Pop Music, Culture, and Resistance --$tAppendix: An Ethnography of Working and of Musicking --$tReferences --$tIndex 330 $aIn Songs of the Factory, Marek Korczynski examines the role that popular music plays in workers' culture on the factory floor. Reporting on his ethnographic fieldwork in a British factory that manufactures window blinds, Korczynski shows how workers make often-grueling assembly-line work tolerable by permeating their workday with pop music on the radio. The first ethnographic study of musical culture in an industrial workplace, Songs of the Factory draws on socio-musicology, cultural studies, and sociology of work, combining theoretical development, methodological innovation, and a vitality that brings the musical culture of the factory workers to life. Music, Korczynski argues, allows workers both to fulfill their social roles in a regimented industrial environment and to express a sense of resistance to this social order. The author highlights the extensive forms of informal collective resistance within this factory, and argues that the musically informed culture played a key role in sustaining these collective acts of resistance. As well as providing a rich picture of the musical culture and associated forms of resistance in the factory, Korczynski also puts forward new theoretical concepts that have currency in other workplaces and in other rationalized spheres of society. 606 $aMusic in the workplace$zEngland$zMidlands 606 $aPopular music$xSocial aspects$zEngland$zMidlands 606 $aWorking class$zEngland$zMidlands$xSocial conditions 606 $aIndustrial sociology$zEngland$zMidlands 608 $aElectronic books. 615 0$aMusic in the workplace 615 0$aPopular music$xSocial aspects 615 0$aWorking class$xSocial conditions. 615 0$aIndustrial sociology 676 $a781.5/9309424 700 $aKorczynski$b Marek$0850528 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910459809603321 996 $aSongs of the factory$92461630 997 $aUNINA