LEADER 03483nam 22006252 450 001 9910459781803321 005 20210713092508.0 010 $a90-485-2326-5 024 7 $a10.1515/9789048523269 035 $a(CKB)3710000000321642 035 $a(EBL)1899676 035 $a(SSID)ssj0001467355 035 $a(PQKBManifestationID)11890948 035 $a(PQKBTitleCode)TC0001467355 035 $a(PQKBWorkID)11515196 035 $a(PQKB)11257222 035 $a(MiAaPQ)EBC1899676 035 $a(DE-B1597)502827 035 $a(OCoLC)1076460481 035 $a(DE-B1597)9789048523269 035 $a(Au-PeEL)EBL1899676 035 $a(CaPaEBR)ebr11001086 035 $a(CaONFJC)MIL801027 035 $a(OCoLC)923710131 035 $a(UkCbUP)CR9789048523269 035 $a(EXLCZ)993710000000321642 100 $a20201130d2014|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aColor and empathy $eessays on two aspects of film /$fChristine N. Brinckmann$b[electronic resource] 210 1$aAmsterdam :$cAmsterdam University Press,$d2014. 215 $a1 online resource (269 pages) $cdigital, PDF file(s) 225 1 $aFilm culture in transition 300 $aTitle from publisher's bibliographic system (viewed on 23 Jun 2021). 311 $a90-8964-656-6 327 $tFront matter --$tTable of Contents --$tPreface /$rBrinckman, Christine N. --$tCinematic Color as Likeness and as Artifact --$tChords of Color --$tThe Tension of Colors in Colorized Silent Films --$tStructural Film, Structuring Color: Jenny Okun's Still Life --$tDesert Fury: A Film Noir in Color --$tThe Work of the Camera: Beau travail --$tEmpathy with the Animal --$tMotor Mimicry in Hitchcock --$tAbstraction and Empathy in the Early German Avant-garde --$tThe Role of Empathy in Documentary Film: A Case Study --$tGenre Conflict in Tracey Emin's Top Spot --$tViewer Empathy and Mosaic Structure in Frederick Wiseman's Primate --$tCasta Diva: An Empathetic Reading --$tPublication Data --$tIndex of Films --$tIndex of Subjects --$tFilm Culture in Transition 330 $aThe collection of essays brings together texts from two decades, documenting two of the author's ongoing areas of interest: the poetics of colour in film as well as affective viewer responses. Employing a bottom-up approach as a basis for theoretical exploration, each of the essays concentrates on a particular film or a number of related films to come to terms with a set of issues. These include the differences between black-and-white and color works, the emergence of bold chromatic schemes in the 1950s, experimental aesthetics of color negative stock, idiosyncratic uses of colour, idiosyncratic uses of motor mimicry, genre-specific reactions to the documentary, and empathetic reactions to animals and to architecture in film. 410 0$aFilm culture in transition. 606 $aColors in motion pictures$xHistory 606 $aColor cinematography$xHistory 606 $aColor motion pictures$xHistory 615 0$aColors in motion pictures$xHistory. 615 0$aColor cinematography$xHistory. 615 0$aColor motion pictures$xHistory. 676 $a791 700 $aBrinckmann$b Christine$f1937-$01033392 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910459781803321 996 $aColor and empathy$92451909 997 $aUNINA