LEADER 02860nam 2200589Ia 450 001 9910454136203321 005 20200520144314.0 010 $a1-282-05324-8 010 $a9786612053245 010 $a0-19-156955-0 035 $a(CKB)1000000000748391 035 $a(EBL)430691 035 $a(OCoLC)320914880 035 $a(SSID)ssj0000176462 035 $a(PQKBManifestationID)11922896 035 $a(PQKBTitleCode)TC0000176462 035 $a(PQKBWorkID)10223494 035 $a(PQKB)11330482 035 $a(MiAaPQ)EBC430691 035 $a(Au-PeEL)EBL430691 035 $a(CaPaEBR)ebr10288462 035 $a(CaONFJC)MIL205324 035 $a(EXLCZ)991000000000748391 100 $a20090204d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aImage and audience$b[electronic resource] $erethinking prehistoric art /$fRichard Bradley 210 $aOxford ;$aNew York $cOxford University Press$dc2009 215 $a1 online resource (277 p.) 300 $aDescription based upon print version of record. 311 $a0-19-953385-7 320 $aIncludes bibliographical references (p. [235]-255) and index. 327 $aContents; Figures; Tables; PART I . THE PROBLEM WITH PREHISTORIC ART; 1. The Division of the Spoils; 2. Pattern and Purpose; PART II. IMAGE AND AUDIENCE IN MEGALITHIC ART; 3. Notes from Underground; 4. The Lives of Statues; 5. In Open Country; PART III. IMAGE AND AUDIENCE IN BRONZE AGE SCANDINAVIA; 6. Ships on Bronzes: Ships on Stones; 7. Crossing the Water; 8. The Origin of Fire; PART IV. PREHISTORIC ART AND ARCHAEOLOGY; 9. Losses in Translation; References; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W 330 $aIn this extensively illustrated study, Richard Bradley asks why ancient objects were created and when and how they were used. He considers how the first definitions of prehistoric artworks were made, and the ways in which they might be related to practices in the visual arts today. - ;There have been many accounts of prehistoric 'art', but nearly all of them begin by assuming that the concept is a useful one. 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