LEADER 04150nam 2200589 450 001 9910459723903321 005 20200520144314.0 010 $a1-4426-5993-9 010 $a1-4426-5534-8 024 7 $a10.3138/9781442659933 035 $a(CKB)3710000000324470 035 $a(EBL)4670221 035 $a(MiAaPQ)EBC4670221 035 $a(DE-B1597)465609 035 $a(OCoLC)1013946395 035 $a(OCoLC)944178632 035 $a(DE-B1597)9781442659933 035 $a(Au-PeEL)EBL4670221 035 $a(CaPaEBR)ebr11256735 035 $a(OCoLC)958565025 035 $a(EXLCZ)993710000000324470 100 $a20160920h20042004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 04$aThe book unbound $eediting and reading medieval manuscripts and texts /$fedited by Sidn Echard and Stephen Partridge 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2004. 210 4$dİ2004 215 $a1 online resource (268 p.) 225 1 $aStudies in Book and Print Culture 300 $aIncludes indexes. 311 $a1-4426-2370-5 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction Varieties of Editing: History, Theory, and Technology -- $t1. Editing Cursor Mundi: Stemmata and the 'Open' Text / $rKlinck, Anne L. -- $t2. The Unassuming Reader: F.W. Maitland and the Editing of Anglo-Norman / $rMarvin, Julia -- $t3. 'Alas! Who may truste thys world': The Malory Documents and a Parallel-text Edition / $rRoland, Meg -- $t4. An Inquisitor in Manuscript and in Print: The Tractatus super materia hereticorum of Zanchino Ugolini / $rDiehl, Peter -- $t5. Editing Sung Objects: The Challenge of Digby 23 / $rTaylor, Andrew -- $t6. The Boy and the Blind Man: A Medieval Play Script and Its Editors / $rSymes, Carol -- $t7. Toward a Disjunctive Philology / $rRobins, William -- $t8. Digitizing (Nearly) Unreadable Fragments of Cyprian's Epistolary / $rSchipper, William -- $t9. Unbinding Lydgate's Lives of Ss. Edmund and Fremund / $rReimer, Stephen R. -- $t10. Server-Side Databases, the World Wide Web, and the Editing of Medieval Poetry: The Case of La Belle dame qui eut mercy / $rGrenier-Winther, Joan -- $tContributors -- $tIndex of Manuscripts -- $tIndex of Names and Subjects -- $tBackmatter 330 $aIn The Book Unbound, scholars and editors examine how best to use new technological tools and new methodologies with artefacts of medieval literature and culture. Taking into consideration English, French, Anglo-Norman, and Latin texts from several periods, the contributors examine and re-evaluate traditional approaches to and conclusions about medieval books and the cultural texts they contain - literary, dramatic, legal, historical, and musical. The essays range from detailed examinations of specific codices to broader theoretical discussions on past and present editorial practices, from the benefits and disadvantages of digital editions versus print editions to the importance of including 'extratextual' material such as variant texts, illustrations, intertexts, and other information about a work's cultural contexts, history, and use. The Book Unbound presents important contributions to the discussions surrounding the editing of medieval texts, including the use of digital technology with historical and literary documents, while offering practical ideas on editing print and hypertext. The collection will be invaluable to historians, literary scholars, and editors. 410 0$aStudies in book and print culture. 606 $aManuscripts, Medieval$xEditing 606 $aLiterature, Medieval$xCriticism, Textual 608 $aElectronic books. 615 0$aManuscripts, Medieval$xEditing. 615 0$aLiterature, Medieval$xCriticism, Textual. 676 $a091 702 $aEchard$b Sia?n 702 $aPartridge$b Stephen 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910459723903321 996 $aThe book unbound$92198239 997 $aUNINA