LEADER 03839nam 22005892 450 001 9910459709903321 005 20210206183224.0 010 $a1-283-05019-6 010 $a9786613050199 010 $a90-485-0807-X 035 $a(CKB)2670000000077664 035 $a(EBL)675611 035 $a(OCoLC)709606102 035 $a(SSID)ssj0000467682 035 $a(PQKBManifestationID)12140860 035 $a(PQKBTitleCode)TC0000467682 035 $a(PQKBWorkID)10490460 035 $a(PQKB)11388611 035 $a(MiAaPQ)EBC675611 035 $a(UkCbUP)CR9789048508075 035 $a(Au-PeEL)EBL675611 035 $a(CaPaEBR)ebr10459505 035 $a(CaONFJC)MIL305019 035 $a(EXLCZ)992670000000077664 100 $a20210105d2010|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aCinema beyond film $emedia epistemology in the modern era /$fedited by Franc?ois Albera and Maria Tortajada ; [translated by Lance Hewson]$b[electronic resource] 210 1$aAmsterdam :$cAmsterdam University Press,$d2010. 215 $a1 online resource (271 pages) $cdigital, PDF file(s) 225 1 $aFilm culture in transition 300 $aTitle from publisher's bibliographic system (viewed on 29 Jan 2021). 311 $a90-8964-084-3 311 $a90-8964-083-5 320 $aIncludes bibliographical references (p. [255]-257) and indexes. 327 $aIntroduction to an epistemology of viewing and listening dispositives ; The 1900 episteme / Franc?ois Albera and Maria Tortajada -- Projected cinema : a hypothesis on the cinema's imagination ; The case for an epistemography of montage : the Marey moment / Franc?ois Albera -- The 'cinematographic snapshot' : rereading Etienne-Jules Marey ; The cinematograph versus photography, or cyclists and time in the work of Alfred Jarry / Maria Tortajada -- Dynamic paths of thought : exhibition design, photography and circulation in the work of Herbert Bayer ; The lecture : Le Corbusier's use of the word, drawing and projection / Olivier Lugon -- Dancing dolls and mechanical eyes : tracking an obsessive motive from balet to cinema / Laurent Guido -- From broadcast performance to virtual show : television's tennis dispositive / Laurent Guido -- The lecturer, the image, the machine and the audio-spectator : the voice as a component part of audiovisual dispositives / Alain Boillat -- On the singular status of the human voice : Tomorrow's eve and the cultural series of talking machines / Alain Boillat. 330 $aCinema Beyond Film elaborates on the theoretical uses of two key terms' dispositif and episteme in order to examine their relationship as well as their larger connections to film, technology, and modernity. Although both terms originate in the work of Foucault, dispositif ('device?') intrinsically links itself to the mechanics of movement and speed behind cinematics, while more generally referring to the mechanisms and structures that hold power in place. Episteme('to know'), on the other hand, refers to the conditions and possibilities of knowledge and reception, more than to technological innovation. Each term is explored here in relation to the other, allowing this edited collection to assess the wide array of potential materialities that arise from the mechanics behind cinema and the changing face of its technology. 410 0$aFilm culture in transition. 606 $aMotion pictures$xPhilosophy 615 0$aMotion pictures$xPhilosophy. 676 $a791.4301 702 $aAlbe?ra$b Franc?ois$f1948- 702 $aTortajada$b Maria 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910459709903321 996 $aCinema beyond film$92467272 997 $aUNINA